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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From Ashes to the Living Font

Richard J. Clark · March 1, 2013

ANTE’S DIVINE COMEDY begins, “Nel mezzo del cammin di nostra vita…”

Midway on our life’s journey, I found myself in dark woods, the right road lost. To tell about those woods is hard – so tangled and rough…

As when Divine Love set those beautiful lights into motion at creations dawn, and the time of day and season combined to fill my heart with hope…
(translation by Robert Pinsky, Poet Laureate Consultant in Poetry to the Library of Congress, 1997-2000)

Sometimes we do our best work while in exile or subject to persecution. It is in struggle that we find out of what we are truly made. We also find out that God sustains us every step of the way when otherwise we might meet with destruction. I know God has sent people into my life to whom I owe my very life. Each has saved me and sustained me at just the right time. But that is a story for another day.

Dante, considered the greatest Christian poet, is the author of the greatest literary work in the Italian language. His masterpiece, which fostered the evolution of the Italian language itself, was written while in exile under the threat of being burned at the stake if he ever returned to Firenze.

In the Forward of Robert Pinsky’s translation of The Inferno, John Freccero states, “Hell is a limit situation, like the prison camp or the cancer ward, where all illusions are stripped away and one has no choice but to acknowledge one’s powerlessness.”

It is in our powerlessness that we often find God.

As Dante wrote his epic poem “midway upon life’s journey” we too are almost midway through our Lenten journey. Today, the Chair of Peter lies empty. This Lent, we will certainly end up in a different place than where we started. Hopefully, we will be transformed individually and as a Church.

Reflecting this journey, the Ash Wednesday Collect from the Roman Missal refers to Lent as “this campaign of Christian service…” Through this campaign, Lent is marked by two themes: preparation for baptism and penance. But Lent is also a joyful season with its expectation of resurrection and as a time of healing.

As such, I find it absolutely fascinating that the Introit for Ash Wednesday – the very first prayer of Lent – Misereris Omnium – is full of humankind’s acknowledgement of God’s infinite mercy:

“Your mercy extends to all things, O Lord, and you despise none of the things you have made. You overlook our sins for the sake of repentance. You grant them your pardon, because you are the Lord our God.” –Wisdom 11:24-25, 27; Psalm 57 (56)

(St. Cecilia Schola, singing Misereris Omnium with organ variations)
Variations published by RJC Cecilia Music

Just as fascinating to me is that when we wake up on Easter Sunday morning, the Church prescribes one of the MOST glorious texts to be sung (in Phrygian mode IV no less): Resurrexi: Psalm 139: 18, 5, 6, and 1-2:

“I am risen, and I am always with you, alleluia; you have placed your hand upon me, alleluia; your wisdom has been most wonderful, alleluia, alleluia. v. O Lord, you have searched me and known me; you know when I sit and when I rise up.”

This text from Psalm 139 is most loving and intimate – a mutual love poured out from our God and from His people who offer praise and thanksgiving to our Lord who watches over us and cares for us. I am risen and I am always with you. Christ, who suffered death on a cross for us, will never leave us comfortless or abandoned.

Furthermore, the musical setting is thoroughly surprising to our modern sensibilities. The ancient modal scheme contains two surprises: one, that Easter Sunday begins with a series of minor intervals; two, that the first and final “alleluias” end unresolved, a half step below a modern “major key” resolution and a step above a modern “minor” resolution. In between and timeless – unresolved for eternity. “I am always with you.” Unlike a nice C Major hymn with organ and brass (and who doesn’t love that? Nothing wrong with that!) the Introit for Easter Sunday, Resurrexi, expresses the transcendent. Mode IV may be the ideal mode to express what Karl Rahner, S.J. identifies as surrender to the “incomprehensible Mystery called God.” The “unresolved” ending is in fact strangely satisfying. It reveals without words an act of faith. It expresses the ineffable mystery that is the Resurrection, the eternity of God and God’s love for us.

Here is my setting of I Am Risen, Resurrexi
St. Cecilia Parish Choir, Boston, Massachusetts
Published by RJC Cecilia Music

At times in life, we may be in exile. We may be persecuted. We will suffer in ways we don’t deserve, nor expect. Some will suffer the unfathomable cruelty of great tragedy. But exile is where we find God closest to us. We find the God who never abandons us and will never leave us comfortless. It is in exile that we find our true calling from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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