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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · April 26, 2013

So, Who Is the “Leader of Song” Anyway?

Is the cantor the “leader of song”? It may be surprising that there are a few answers to this question, but it leads towards one ideal.

Veronica Brandt · April 26, 2013

Arundel hymns

Chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Inroductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net.

Jeff Ostrowski · April 25, 2013

Catholics in the United States Can Kneel Now!

A change has been made in the United States with regard to kneeling for Holy Communion: “the exhortation to catechesis is removed and the exception to the norm of standing is left to the discretion of the faithful.”

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Jeff Ostrowski · April 24, 2013

Rev. Fr. Christopher Smith on the Campion Missal

“And so, I launched out into the deep and asked for donations. Within 72 hours we had not only covered the cost, but also had more donations than we could possibly use for that project.” — Fr. Smith

Andrew R. Motyka · April 24, 2013

Following the Leader

The choir director as a model for singing.

Corpus Christi Watershed · April 23, 2013

This Sunday’s Responsorial Psalm . . . Free To All

R. I will praise your name forever, my king and my God.
“The LORD is gracious and merciful . . .”

Jeff Ostrowski · April 23, 2013

Introducing the Lalemant Propers (391 Pages) — Free Download !

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

Corpus Christi Watershed · April 23, 2013

01 • Lalemant Interviews: Fr. Christopher Mann

Corpus Christi Watershed will be conducting a series of interviews with priests, seminarians, sisters, and lay folks to raise awareness about the Mass Propers.

Jeff Ostrowski · April 22, 2013

A Tale Of Two Monsignori: Schmitt & Vyverman

Did Msgr. Schmitt malign Msgr. Vyverman of Malines? And did Fr. Schmitt truly forget Gogniat’s name?

Cynthia Ostrowski · April 22, 2013

Catholic Line Art, Black and White • Installment #15

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · April 22, 2013

“Episcopalian” Music vs. “Catholic” Music? Wrong question!

Can you hear “Jesus Christ is Risen Today” in this video from an Episcopalian Church taken on Easter Sunday, 2013?

Corpus Christi Watershed · April 21, 2013

ABOUT THIS SITE: St. René Goupil Gregorian Chant

Free Gregorian Chant Recordings for the Extraordinary Form . . . complete at last!

Fr. David Friel · April 21, 2013

Faith Seeking Understanding

Anselm of Canterbury

Veronica Brandt · April 20, 2013

Do-It-Yourself Hymnal: The impossible dream

There is no such thing as a perfect hymnbook or missal.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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