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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

Andrew R. Motyka · May 1, 2013

Live for the Moment

The temporal reality of the liturgy that cannot be bound by recordings.

Cynthia Ostrowski · April 30, 2013

Catholic Line Art, Black and White • Installment #16

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · April 29, 2013

Free Responsorial Psalm, 6th Sunday of Easter, Year C

R. O God, let all the nations praise you!
Vs. May God have pity on us and bless us . . .

Jeff Ostrowski · April 29, 2013

Solesmes Salicus & Scandicus Vs. Pure Vatican Edition

Does noticing this officially make me a “Chant Geek” ? Or is it the mere fact that I actually care about such things . . .

Aristotle A. Esguerra · April 29, 2013

A preview of Modal Responsorial Psalms and Gospel Acclamations: Round-note SATB Edition

In the near future Corpus Christi Watershed will be releasing the round-note SATB edition of Modal Responsorial Psalms and Gospel Acclamations See a sneak peek of the settings for the Extended Pentecost Vigil here.

Fr. David Friel · April 28, 2013

Sacrificing Ourselves

The New Commandment

Veronica Brandt · April 26, 2013

Divided we fall

Appealing to specific age groups weakens a parish.

Richard J. Clark · April 26, 2013

So, Who Is the “Leader of Song” Anyway?

Is the cantor the “leader of song”? It may be surprising that there are a few answers to this question, but it leads towards one ideal.

Veronica Brandt · April 26, 2013

Arundel hymns

Chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Inroductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net.

Dr. Peter Kwasniewski · April 25, 2013

Music as a Character-Forming Force

The spiritual maturity of the Christian is very much connected with habituation in the nobility of the fine arts.

Jeff Ostrowski · April 25, 2013

Catholics in the United States Can Kneel Now!

A change has been made in the United States with regard to kneeling for Holy Communion: “the exhortation to catechesis is removed and the exception to the norm of standing is left to the discretion of the faithful.”

Jeff Ostrowski · April 24, 2013

Rev. Fr. Christopher Smith on the Campion Missal

“And so, I launched out into the deep and asked for donations. Within 72 hours we had not only covered the cost, but also had more donations than we could possibly use for that project.” — Fr. Smith

Andrew R. Motyka · April 24, 2013

Following the Leader

The choir director as a model for singing.

Corpus Christi Watershed · April 23, 2013

This Sunday’s Responsorial Psalm . . . Free To All

R. I will praise your name forever, my king and my God.
“The LORD is gracious and merciful . . .”

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will
  • A Simple Way to Sing and Notate Organum Harmony

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