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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · May 28, 2013

Why Pope Won’t Fire Marini: “Put the Treasure of Tradition to Use”

Pope Francis: “Many have asked me about my choice to remove him from office and be replaced. I said no, just that I prefer him to even benefit me by his traditional formation.”

Cynthia Ostrowski · May 28, 2013

Catholic Line Art, Black and White • Installment #18

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · May 28, 2013

Disney’s “That Darn Cat,” Life Teen Masses, and More

“Music has the capability of evoking a place and a context.” — Dr. William Mahrt of Stanford

Corpus Christi Watershed · May 28, 2013

Mass In Honor of St. Ralph Sherwin • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 27, 2013

Sung Propers: Various Simple Settings In English

Here’s a comparison of several complete musical settings of the Mass Propers by Fr. Guy Nicholls, Fr. Paul Arbogast, and others.

Jeff Ostrowski · May 27, 2013

Failure, The Liturgy, & Today’s Mr. Know-It-All

The priest who rejected my submission was very professional, polite, and encouraging.

Corpus Christi Watershed · May 27, 2013

How To Chant The Readings At Mass

Instructions for deacons learning to sing the Gospel during the Catholic Mass.

Fr. David Friel · May 26, 2013

“Father, Not Everyone Can Sing”

How to Respond

Jeff Ostrowski · May 26, 2013

Sibelius 7 • Get Rid Of Multi Rests!

“How can I get rid of those stupid multirests in Sibelius?”

Jeff Ostrowski · May 25, 2013

Fulton Sheen & The Holy Eucharist

Sheen’s book “Life of Christ” is such a treasure.

Jeff Ostrowski · May 25, 2013

In Search Of Polyphonic Recordings By Good Choirs

Does anyone have any suggestions?

Veronica Brandt · May 25, 2013

Top five resources for teaching chant to children

The staples in my bag for teaching Gregorian chant to an informal group of homeschoolers.

Corpus Christi Watershed · May 24, 2013

Msgr. Andrew Wadsworth On Sacrosanctum Concilium

“The singing of the Proper texts rather than the endless substitution of songs and hymns, are only now being seriously considered and implemented.” — Executive Director of the International Commission on English in the Liturgy (ICEL)

Richard J. Clark · May 24, 2013

Surprise! Musical Hierarchy in “Sing to the Lord: Music in Divine Worship”

The priorities of what we should sing at mass are full of surprises for some. I hope in the end that the greater “surprise” will be in how our prayer is formed by what we sing. I hope this will be the most pleasant surprise of all.

Jeff Ostrowski · May 23, 2013

Controversial Statements About The Mass Propers

The notion that the texts are there “to remind us that we should be singing something else” could not be further from the truth.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“What will be the results of this innovation? The results expected, or rather desired, are that the faithful will participate in the liturgical mystery with more understanding, in a more practical, a more enjoyable and a more sanctifying way.” [Enjoyable?]

— Pope Paul VI (26 Nov 1969)

Recent Posts

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  • Exclusive Interview • “Púeri Cantóres” President

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