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Views from the Choir Loft

GABC Transcription Tools

Veronica Brandt · June 8, 2013


AST WEEK I wrote about gregorio and GABC. There are so many developments happening that I’m sure I will be writing more about the system.

This week Benjamin Bloomfield released a new Propers Tool for his collection of GABC transcription tools.

That makes four tools:
Hymns
Psalm tones
Readings
and new this week: Propers!

Not so long ago, I would transcribe by hand from the Propers of the Church year set to tones (1962 Missal) from Guam (it’s a great book, but quite hard to read). Then, once I found the transcriber, I would get the text of the propers from Maternal Heart and cut and paste the text into the Psalm tone tool, select a mode and repeat for each antiphon. Now the new Propers Tool makes it as easy as choosing the Sunday from a drop down list. You can even select which ones to render with the full melody from the Graduale. The psalm toned Alleluia is rendered as in the simplified Alleluias in the back of the Liber Brevior, with the full jubilus and psalm toned verse.

Clicking the PDF link in the top right corner takes you over to Illuminare Publications Score Editor (also written by Mr. Bloomfield) with all five pieces ready to process into a single PDF.

One drawback is that there is no space for a translation, but there are a few ways you could add it in. There is a capability to insert text under the lyrics by enclosing the text in square brackets and inserting it between the syllable and the neume code.

Something like this: A[Humbly I adore thee](c)do(e)ro(g) te(g)
(Yes, that’s probably confusing, but may be helpful to some, otherwise there’s the comments box down there)

As is often the case with cutting edge software, the documentation is lagging behind a little, but there is good news there too. Gregowiki promises to be a treasure trove of helpful information. Already it has links to the tools I’ve already mentioned as well as tutorials and a handy cheat sheet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant Software, Gregorio Last Updated: May 14, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

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