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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew R. Motyka · June 12, 2013

An FYI on EP in the OF – Part 3

This timeless text is the high point of this liturgy.

Jeff Ostrowski · June 11, 2013

Proud Father With Son & Daughter

Normally, I hate it when blogs become too personal, but I hope our readers will tolerate me sharing two (2) pictures of our children.

Corpus Christi Watershed · June 11, 2013

Chant Workshop At Historic Mission San Buenaventura

The session in Ventura, CA, will include Gregorian notation and solfege, Chant in English and Latin, Counting, Mass Ordinary, and a capstone using the Pange Lingua.

Jeff Ostrowski · June 11, 2013

Choir Members’ Behavior In The Year 1596

On 24 December 1596, Nanino records that the singers missed a response of “Amen,” which they were supposed to make after the pope said the Gospel at Matins. But the books were marked so that the same thing would not happen the following year, as it might if they depended only on memory.

Corpus Christi Watershed · June 11, 2013

An 1833 English Translation of the Missal?

Considering the history of vernacular translations, which were forbidden at certain times by the Church, the following 1833 document will be of interest.

Fr. David Friel · June 11, 2013

Obedience to the Church

Freedom or Slavery?

Cynthia Ostrowski · June 10, 2013

Catholic Line Art, Black and White • Installment #20

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Guest Author · June 10, 2013

The Story Behind The Code

A guest article by Benjamin Bloomfield about a new Gregorian chant tool.

Veronica Brandt · June 10, 2013

Setting propers to psalm tones with gregorio

Another training video showing another easy way to use gregorio online – this time while holding a 4 month old baby girl!

Jeff Ostrowski · June 10, 2013

Entering The Danger Zone: Congregational Singing

Are we being honest when we claim that the “entire congregation” can sing a hymn at Mass? I had to search pretty hard, but finally found someone willing to admit the truth.

Corpus Christi Watershed · June 10, 2013

100 Easy, Beautiful Organ Interludes (Manuals Only)

In the 1930s, Dom Gregory Murray did a tremendous service to Church organists by composing many organ interludes without pedals.

Jeff Ostrowski · June 10, 2013

Watershed Customer Service

These days, companies treat their customers like animals. I find it disgusting.

Fr. David Friel · June 9, 2013

True Compassion

Stepping Forward

Corpus Christi Watershed · June 9, 2013

Beautiful Art Can Still Be Found

Stained glass windows by Barbara Ferabecoli.

Corpus Christi Watershed · June 9, 2013

Msgr. Wadsworth to help found new Oratory in D.C.

Fr. Richard Mullins is reporting that in July he will be “planting the seeds for an eventual Oratory of St. Philip Neri” with none other than Monsignor Andrew Wadsworth, Executive Director of ICEL.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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