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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · December 10, 2023

New Hymn By Father Dylan Schrader

That’s not an easy hymn to sing 𝘢 𝘤𝘢𝘱𝘱𝘦𝘭𝘭𝘢 but my volunteer choir attempted it. If you think it’s easy, please send me a recording of your choir singing it!

Andrea Leal · December 8, 2023

What Ever Happened to Advent?

Juanpablo Macias, a seminarian studying for the Archdiocese of Las Vegas, enjoys composing, singing, and playing organ for the sacred liturgy.

Dr. Charles Weaver · December 8, 2023

An Important Anniversary

Dom Pothier died 100 years ago today.

Jeff Ostrowski · December 6, 2023

(Advent, 2nd Sunday) • Introit “Pópulus Sion” Sung According to the Official Rhythm

We can hardly do better than to join in the same melodies sung by Catholic saints throughout history.

Jeff Ostrowski · December 5, 2023

PDF Download • “Lo! He comes with clouds descending” (Advent Hymn) — A Catholic Version!

Some days, Fulton J. Sheen received as many as 30,000 letters.

Richard J. Clark · December 5, 2023

Announcement of Easter & the Moveable Feasts • El Anuncio de la Pascua y Fiestas Movibles • 2024

English and Spanish — scores and practice videos in with dates for 2024!

Corpus Christi Watershed · December 4, 2023

Dr. Alexis Kutarna Shares Photographs of Texas Workshop With Composer Kevin Allen

Dr. Kutarna teaches liturgical music courses at the University of Saint Thomas in Houston, Texas.

Richard J. Clark · December 4, 2023

Announcement of the Nativity of the Lord from the Roman Martyrology • Practice Video

Practice video for the Announcement of the Nativity of the Lord from the Roman Martyrology

Jeff Ostrowski · December 1, 2023

1963 Photograph • Original Lyrics for Fr. Hellriegel’s “To Jesus Christ Our Sovereign King”

Photograph from 1963, the year Monsignor Hellriegel published his 𝐻𝑜𝑙𝑦 𝐶𝑟𝑜𝑠𝑠 𝑃𝑎𝑟𝑖𝑠ℎ 𝐻𝑦𝑚𝑛𝑎𝑙.

Jeff Ostrowski · December 1, 2023

My Response to Dr. Weaver’s Latest Article

Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?

Keven Smith · November 29, 2023

Stumped by Psalms? Try This

St. Robert Bellarmine’s commentary will enlighten you and your singers.

Follow the Discussion on Facebook

Jeff Ostrowski · November 29, 2023

PDF Download • “Eight Gregorian Psalm Tones” (Harmonized by Jeff Ostrowski)

Yesterday, I recorded a video demonstration of each Gregorian Chant tone.

Jeff Ostrowski · November 27, 2023

Four (4) Excellent Hymns for Catholic Funerals

With a brief digression on certain “nasty” traditionalists.

Guest Author · November 26, 2023

“An Initiation to Gregorian Chant” (Msgr. Turco)

Guest article by Father Stephen Concordia, OSB.

Dr. Charles Weaver · November 25, 2023

Accent and Gregorian Melody

The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

If the homily goes on too long, it will affect two characteristic elements of the liturgical celebration: its balance and its rhythm. The words of the preacher must be measured, so that the Lord, more than his minister, will be the center of attention.

— Pope Francis (11/24/2013)

Recent Posts

  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”

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