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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · April 6, 2014

Lazarus, Come Out!

Slavery to Sin & Freedom in Christ

Jeff Ostrowski · April 6, 2014

Are Hymns Boring?

I love hymns … sung properly, that is!

Richard J. Clark · April 4, 2014

A priest who sings both energizes the liturgy and fosters interior prayer.

Once the mass began, the children began singing the Gregorian Introit, and fifteen thousand young people immediately stilled to complete silence.

Dr. Peter Kwasniewski · April 3, 2014

Why We Need the Greatest Art in Catholic Worship

Was it necessary to change our forms of worship to suit “modern man”? And do we need to set aside our glorious musical heritage? Absolutely not.

Jeff Ostrowski · April 1, 2014

Courses In The Ward Method … This Summer!

This summer, the Catholic University of America is offering training in the Ward method.

Gwyneth Holston · March 31, 2014

What is Catholic Art?

Help me define the indefinable.

Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

Jeff Ostrowski · March 30, 2014

Audrey Hepburn, Fulton J. Sheen, & Church Singers Who Can’t Read Music

Do you direct choir members with flaws? Do you direct choir members who can’t read music? BE COMFORTED!

Guest Author · March 30, 2014

Homily: 4th Sunday of Lent (Year A)

A homily by Fr. Valentine Young, OFM.

Veronica Brandt · March 29, 2014

Learning the Latin of the Pater Noster

You need to have even just a little bit of understanding to help you love something. You can’t love what you don’t know.

Jeff Ostrowski · March 27, 2014

“Turn Those Altars Around!” — Cardinal Lercaro, Consilium President (1965)

Could this be the missing link explaining why “versus populum” celebrations took over?

Dr. Peter Kwasniewski · March 27, 2014

Why Do We Kneel in Church?

Kneeling is a sign that both signifies and helps produce in the soul the disposition of humility before the great King over all the earth.

Jeff Ostrowski · March 26, 2014

“Confusion and Annoyance” — Pope Paul VI on the New Liturgy (1965)

“Previously it was enough to be there; now we must participate. Previously one could doze or perhaps even have a chat; but no longer; now one must listen and pray.” — Pope Paul VI, 17 March 1965

Jeff Ostrowski · March 25, 2014

“The Most Beautiful Thing This Side Of Heaven”

A wonderful 18-minute sermon by Fr. Christopher Smith.

Jeff Ostrowski · March 24, 2014

What did Pope John Paul II think of the Cappa Magna?

The cappa magna has a five-meter-long train. Pius XII shortened it to 3 meters, but it’s said that John XXIII restored the ordinary length.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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