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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Guest Author · April 25, 2014

The Thoughtful Theologian reflects on the canonisations of 27 April 2014

God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it.

Jeff Ostrowski · April 25, 2014

Thirteen (13) Organ Accompaniments to “Missa de Angelis” (Mass VIII)

Free PDF downloads for “Mass of the Angels” organ accompaniments • Henri Potiron (1950), Achille Bragers (1937), Dr. Eugene Lapierre (1946), Franz Xaver Mathias (1906), Dr. Peter Wagner (1905), Monsignor Leo P. Manzetti (1906), Julius Bas (1906), and more+

Richard J. Clark · April 25, 2014

PREVIEW – Mass in Honor of Pope Saint John Paul II

Preview of the “Mass in Honor of Pope Saint John Paul II” Listen to the Gloria!

Dr. Peter Kwasniewski · April 24, 2014

“Soft Source of Calm Tranquillity”: The Quiet Mass

A poem set to music by Handel perfectly captures the feelings one has at a quiet low Mass. Here I try to say why this form of the Mass is so special and valuable.

Corpus Christi Watershed · April 23, 2014

VIDEO • Explaining the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

Approved by the USCCB — 2014 Imprimatur from Bishop Slattery of Tulsa.

Jeff Ostrowski · April 22, 2014

More unites us than divides us!

Musicians tend to be very “picky” people who don’t get along with one another.

Guest Author · April 21, 2014

Francis Thompson (1859 – 1907): Catholic, Addict, Poet

The intellect of the world has been corrupted. Francis Thompson is the antidote.

Fr. David Friel · April 20, 2014

Book Review: Killing Jesus

Was It Worth the Read?

Jeff Ostrowski · April 18, 2014

Proclaim the Passion in a “Theatrical” Manner?

Scripture at Mass is an act of worship: it is not purely didactic, nor is it a make-believe drama that we must re-enact with emotion.

Richard J. Clark · April 18, 2014

Christ, the Wounded Healer

What role does suffering have in our lives and in our work?

Fr. David Friel · April 17, 2014

A Priest’s Litany of Thanksgiving

A Preparation for the Celebration of Holy Thursday

Dr. Peter Kwasniewski · April 17, 2014

Sheed on the Missal of 1968

Frank Sheed is one of my favorite Catholic authors, but when it came time for him to grapple with the liturgical revolution, either his perspicuity or his nerve failed him.

Andrew R. Motyka · April 16, 2014

Be Good to Your Choir

Give your choir some acknowledgement for all their hard work.

Jeff Ostrowski · April 15, 2014

Free PDF Download: The Fulton J. Sheen Sunday Missal (1961)

Archbishop Sheen did not produce this Missal alone: it was a joint effort by many, especially the Jesuit priests Rev. Philip Caraman and Rev. James Walsh.

Jeff Ostrowski · April 15, 2014

Live Recording — Small Choir of Ninth Grade Singers (October, 2006)

What can one say about the “Art of the Fugue” by J. S. Bach? Marvelous. Simply marvelous.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

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