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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 3, 2014

Bishop Conley Sings “Salve Regina” With A Whole Pack Of Bishops

How often do you see a whole bunch of bishops sitting around singing the Salve Regina?

Jeff Ostrowski · July 2, 2014

Why On Earth Would Anyone Do This?

Am I a hypocrite?

Cynthia Ostrowski · July 1, 2014

Catholic Line Art, Black and White • Installment #55

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Aurelio Porfiri · July 1, 2014

A Name To Remember

If you don’t know who Divo Barsotti is, his discovery will be for you like “exploring a continent for the first time.”

Jeff Ostrowski · June 30, 2014

“No Propers? No High Mass!” — 1933 Article

“…at these High Masses, the choir omits the Gloria, Credo, Gradual, Tract and Sequence.” — Answer: “The method is an abuse and must be done away with.”

Aurelio Porfiri · June 30, 2014

Appropriate

I am sure 100% of you will agree that: “a rock band is not going to entertain fans at the sound of Gregorian chant.”

Fr. David Friel · June 29, 2014

Strong with God’s Strength

Saints Peter & Paul

Guest Author · June 29, 2014

Homily: Solemnity of Saints Peter & Paul

“Recently, our present Holy Father Pope Francis said that there is more persecution of Christians going on now than ever before”

Veronica Brandt · June 28, 2014

This wonderful Bishop’s letter on the Blessed Sacrament

A pastoral letter from Most Reverend Anthony Fisher OP, Bishop of Paramatta.

Jeff Ostrowski · June 27, 2014

PDF Download: Complete Proper Of The Mass, With Organ Accompaniment • Kansas (1946)

Two priests from Kansas — Fr. Herman Koch & Fr. Andrew Green — created this remarkable collection in the 1940s.

Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

Jeff Ostrowski · June 26, 2014

First Time Attending A Novus Ordo Mass

If you can explain why the GLORY & PRAISE has an eagle flying across page 37, you get a cookie.

Dr. Peter Kwasniewski · June 26, 2014

On the Objectivity of the Beautiful

Can we really rank the works of fine art? Is one composer greater than another, one piece of sacred music more beautiful than another? Or is it all relative?

Aurelio Porfiri · June 25, 2014

The Downside Of Dialogue

We have a saying in Italy: “The road to hell is paved with good intentions.”

Corpus Christi Watershed · June 25, 2014

Common Responsorial Psalm Texts

“Nevertheless, in order that the people may be able to join in the responsorial psalm more readily, some texts of responses and psalms have been chosen…”

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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