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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · November 9, 2014

“Fear Of The Dark-Skinned” — Really?

“Right-wing Christians push fear of the dark-skinned and fear of honesty.” —National Catholic Reporter (28 October 2014)

Fr. David Friel · November 9, 2014

Sacred Architecture & the Dedication of the Lateran Basilica

When we come to church, there should be no question whether we are in a church or in a coffeehouse or in a multipurpose gym.

Veronica Brandt · November 8, 2014

Preparing for an EF Sung Mass

Preparing music folders for a Missa Cantata – all the essentials and a few handy desirables.

Richard J. Clark · November 7, 2014

Can’t sing? Sing the dialogues!

Reverence, prayer, and internal participation increased through this act of external participation.

Dr. Peter Kwasniewski · November 6, 2014

How Liberalism Undermines Itself

Freedom for all sounds nice in theory, but how does it work in practice?

Jeff Ostrowski · November 6, 2014

Those Selfless Ordinary Form Priests

Yesterday evening—on his day off, after another Mass he’d offered—I observed an OF priest saying the 1962 Missal in his private chapel.

Andrew R. Motyka · November 5, 2014

Prepared to Receive: the Importance of Disposition

Warm-ups and reverent liturgy.

Jeff Ostrowski · November 4, 2014

Fr. Christopher Smith Weighs In

“Why am I excited? Well, every year we spend about $4,000 on those paperback missalettes…”

Jeff Ostrowski · November 3, 2014

The Most Disturbing Change To The 1962 Missal

We’re not as smart as we’d thought … and our forefathers weren’t as dumb as we’d assumed.

Fr. David Friel · November 2, 2014

Wakes in Church & Funerals at the Parlor

A Dramatic Reversal

Jeff Ostrowski · November 2, 2014

Announcement: Solemn High Requiem In Los Angeles On Monday

Traditional Latin Mass at a cemetery in Los Angeles: TOMORROW.

fsspla · November 2, 2014

FSSP Los Angeles • What Is The Table?

This beautiful video explains a “safe place” for Catholics in Los Angeles.

Veronica Brandt · November 1, 2014

All Saints celebrations

An All Saints Day party with a major digression on Halloween and All Souls Day.

fsspla · October 31, 2014

FSSP.la Polyphonic Choir

If you can sing in tune, I need your help! Please don’t worry if you cannot read music.

Richard J. Clark · October 31, 2014

All Souls — gave hope to me, too.

Do not miss the opportunities of All Souls Day, especially as it falls on a Sunday.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

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  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline

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