• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Jeff Ostrowski · July 10, 2015

“You Will Now Feel These Interior Sentiments…”

Can you imagine a liturgical commentator standing at the front of Church declaring something like that?

Richard J. Clark · July 10, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As church musicians, what sustains us?

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

Jeff Ostrowski · July 9, 2015

Musical Resources • 7th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Andrew Leung · July 9, 2015

Sacred Music Colloquium XXV — Update VI

Report on the sixth (last) day of the Sacred Music Colloquium in Pittsburgh

Andrew Leung · July 9, 2015

Video • “Benedict XVI Receives two Honorary Doctorates on Sacred Music”

Pope Emeritus Benedict XVI received two Honorary Doctorates on Sacred Music last Saturday

Jeff Ostrowski · July 8, 2015

Beware Of Microphones!

My mother was present during that Mass and recorded some brief snippets on her iPhone.

Jeff Ostrowski · July 7, 2015

UGLY • Just Plain, Old-Fashioned Ugly

Have you noticed that contemporary music was not forced upon congregations the same way contemporary architecture was?

Jeff Ostrowski · July 7, 2015

Short, Fresh, & Beautiful • SATB “Ave Maris Stella”

This piece by Fr. Antonin Lhoumeau will knock your socks off!

Dr. Lucas Tappan · July 6, 2015

A Must Have Resource for Catholic Schools

Pastors and music directors, this is for you!

Jeff Ostrowski · July 6, 2015

The Beauty Of Ancient Catholic Manuscripts

Medieval manuscripts were normally created by (at least) two monks: one drew, one wrote.

Fr. David Friel · July 5, 2015

Vesting Prayers • Part 1 of 9

Over the coming weeks, I will present a series of reflections on the vesting prayers.

Veronica Brandt · July 4, 2015

Don’t compare your kids

It may feel like forever, but children do grow up. The days are long but the years are short. Today’s toddlers are tomorrow’s altar servers and choir members. Then we can look back and whisper a “Thanks be to God.”

Jeff Ostrowski · July 4, 2015

Musical Resources • 6th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · July 4, 2015

Clarence Thomas: “I waited 25 years to return to the Church”

“Older people have an obligation not to spew their cynicism on our youth.” —Justice Thomas

Andrew Leung · July 3, 2015

Sacred Music Colloquium XXV — Update V

Report on the fifth day of the Sacred Music Colloquium in Pittsburgh

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 209
  • Page 210
  • Page 211
  • Page 212
  • Page 213
  • Interim pages omitted …
  • Page 333
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“For the Pharisees, and all the Jews, except they wash their hands, eat not, holding the tradition of the elders”—is that English idiom? “For the Nazis, and all the Germans, except they say Heil Hitler! meet not in the street, holding their lives valuable”—is that English idiom?

— Monsignor Ronald Knox

Recent Posts

  • “Reminder” — Month of Febr. (2026)
  • Seminary Music Directors Gather in Houston
  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.