Dancing on the Edge with Truth and Beauty
“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri
Reflection of Msgr. Guido Marini, Papal Master of Ceremonies, on receiving communion on the tongue and while kneeling.
“To refer to the priest as ‘presider’ surely does damage to his priestly identity.” — Rev. Richard Cipolla
It seems many wish to include Mass VIII in their program booklets.
Fourteen (14) practical ideas for how a priest might transform his celebration of the Ordinary Form
“Sacrosanctum Concilium” must not be read in isolation. It should, rather, be read in the light of the liturgical movement that preceded it and the liturgical documents that followed it.
Many of the big publishing companies skip the Corpus Christi Sequence—they literally leave it blank.
I really don’t “get” the lyrics in Catholic hymnals by the major publishers.
A short 20th century motet by Fr Tom Luby, MSC with practice audio recordings.
Cardinal Sarah reveals the instructions he received from Pope Francis upon his appointment as Prefect of the CDW.
It’s almost 5 years since the new translation came out, but some EF musicians still haven’t caught up. Here are some pointers for the musician who has been hiding under a musical rock for a decade.
The last time we sing “Vidi Aquam” is Pentecost Sunday; now we go back to “Asperges Me.”
Anyone who knew him expected no less. But it was extraordinary to witness.
Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.