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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · January 11, 2016

Ludwig Passini: “Canons in the Church of St. Peter”

Their garments resemble the “winter” cappa magna.

Jeff Ostrowski · January 11, 2016

Gregory Ceurvorst Harmonizing The Chabanel Psalms

I saw something cool on YouTube.

Fr. David Friel · January 10, 2016

Whose Responsibility Is It To Establish New EF Communities?

We must respect the vision of Pope Emeritus Benedict XVI.

Jeff Ostrowski · January 9, 2016

Musical Resources • Feast of the Holy Family (Extraordinary Form)

“O Lord Jesus Christ, who—in the days of thy sub­jec­tion to Mary and Joseph—didst consecrate home life by ineffable acts of virtue…”

Jeff Ostrowski · January 9, 2016

Letter To The FSSP Choir In Los Angeles

There’s something less scary you can do to help build up God’s Kingdom.

Jeff Ostrowski · January 9, 2016

VIDEO • Archbishop Fulton J. Sheen & William F. Buckley

In 1971, Sheen appeared on “Firing Line” and spoke about St. Augustine.

Jeff Ostrowski · January 8, 2016

The Miraculous Rise Of The Traditional Latin Mass

A puzzling article appeared in the National Catholic Register by Msgr. Charles Pope.

Richard J. Clark · January 8, 2016

Communion Antiphons for Lent • RCIA and Scripture

Propers for Lent and their relationship with RCIA and the scriptures

Andrew Leung · January 7, 2016

A Faithful Bishop

I am very thankful that I get to know Bishop Roger Foys of Covington, KY, who wrote a great letter and decree about the Mass back in 2011.

Jeff Ostrowski · January 7, 2016

Bishop René H. Gracida On Internet Porn

“Parents, love your children and do your best to shield them from exposure to pornography.” —Bishop Gracida

Dr. Alfred Calabrese · January 7, 2016

The Theology of a C-sharp Minor Chord

Every time I listen to this piece I’m still shocked.

Christopher Mueller · January 6, 2016

On Catholic Art

It’s time to renovate and reoccupy our own tradition!

Jeff Ostrowski · January 5, 2016

Church Music: True Diversity Vs. False Diversity

Liturgical progressives constantly praise the “stylistic diversity” of the Ordinary Form, but the truth is surprising.

Jeff Ostrowski · January 5, 2016

| Part 2 of 3 | • “Kyrie Eleison” (SATB) within the reach of any choir!

By the mighty Francisco Guerrero!

Andrew Leung · January 5, 2016

Catholic Service to be Celebrated in the Chapel Royal

What exciting news! The first Catholic service in centuries is to be celebrated in the Chapel Royal!

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)
  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent

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