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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · December 11, 2015

Orient toward prayer. Orient toward gratitude.

We may not convince anyone that certain music is more worthy than another. But we can all understand that sacred music must orient itself towards reverence and prayer.

Andrew Leung · December 10, 2015

Understanding the Sacred

Reflection on “Understanding the Sacred” based on two events happened in Vatican this week

Andrew Leung · December 10, 2015

Videos • Popes open the Holy Door

Two old videos of the Opening of the Holy Door

Jeff Ostrowski · December 10, 2015

Rehearsal Videos • Victoria’s “Ave Maria” (SATB)

Including six reasons why Tomás Luis de Victoria may be the true composer of this piece.

Jeff Ostrowski · December 7, 2015

Rehearsal Videos • “O Magnum Mysterium” (Victoria)

With a masterpiece like this, we must be careful not to rush in where angels fear to tread.

Jeff Ostrowski · December 7, 2015

Propers for Our Lady of Guadalupe (12 December)

Providing music for the Traditional Latin Mass is not nearly as hard as some believe.

Fr. David Friel · December 6, 2015

Not One of Aesop’s Fables

Of Tetrarchs, High Priests, and the Polar Express

Veronica Brandt · December 5, 2015

Have you heard of St Clelia?

A young foundress who continues to sing with her congregations around the world and how this underlines the power of the liturgy.

Corpus Christi Watershed · December 5, 2015

Saint Nicholas — “Identity Theft”

Since we are getting closer to Christmas …

Jeff Ostrowski · December 5, 2015

Musical Resources • Second Sunday of Advent (Extraordinary Form)

“Gather ye together His Saints to Him; who have set His covenant before sacrifices…”

Richard J. Clark · December 4, 2015

A Midlife Crisis and My Funeral

At my funeral, please pray for my soul. Please don’t “celebrate my life” (do that after…) or “celebrate my resurrection.” Pray.

Andrew Leung · December 3, 2015

Video • The Voice of St. John Paul the Great

Two videos of John Paul II’s singing

Andrew Leung · December 3, 2015

CMAA Winter Sacred Music Workshop

Registration is now open for the CMAA Winter Sacred Music Workshop in Houston

Dr. Lucas Tappan · December 2, 2015

Sir Colin Mawby Composes Special “Ave Maria” For Kansas Choristers

Mr. Mawby emailed me two weeks after sending the music, saying he’d already purchased his plane ticket and would see us in Rome!

Jeff Ostrowski · December 2, 2015

Introit For The Immaculate Conception (8 December)

“Gaudens Gaudebo” is not a short Introit.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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