Views from the Choir Loft

Articles

Aurelio Porfiri · October 5, 2015

Something Unexpected

Music is not and cannot be neutral.

Jeff Ostrowski · October 3, 2015

Loading Choir Binders For Sunday (4 October)

The life of a choirmaster is a life of sacrifice…

Jeff Ostrowski · October 3, 2015

Worst Song Ever?

What Church musicians can learn from “Friday” by Rebecca Black.

Richard J. Clark · October 2, 2015

Believe. Connect. Disappear.

The older I get, I prepare more not to receive accolades, but to become invisible.

Jeff Ostrowski · October 1, 2015

Musical Resources • 19th Sunday after Pentecost (Extraordinary Form)

“Almighty and merciful God, in thy goodness put far from us all that may work us harm…”

Andrew Leung · October 1, 2015

Mass in the Ancient Form at a Basilica

The Traditional Latin Mass is being offered regularly at the Basilica of Sts. Peter and Paul in Chattanooga.

Dr. Alfred Calabrese · October 1, 2015

Is this the “Proper” solution for you?

I’ve decided to try an experiment that may work in other parishes.

Corpus Christi Watershed · September 29, 2015

Fr. David Friel At The Papal Masses (Part 2)

We are so proud of our own Fr. David Friel.

Dr. Lucas Tappan · September 29, 2015

Solfege

I feel that solfege is the fastest and most secure route to establishing the scale and the way its notes function within that scale in the minds of singers.

Jeff Ostrowski · September 28, 2015

PDF Download • Extremely Rare Hymnal (1952)

Published by the Catholic Choirmasters’ Guild of Buffalo, New York.

Andrew Leung · September 28, 2015

Papal Liturgies – Day 6 of the Papal Visit

Pope Francis celebrated the Closing Mass for the World Meeting of Families on the last day of his visit.

Andrew Leung · September 26, 2015

Papal Liturgies – Day 4 & 5 of the Papal Visit

2 Papal Masses in New York and Philadelphia.

Veronica Brandt · September 26, 2015

Praise to the Holiest

The seven stanzas of amazingness by Blessed Cardinal Newman with three tunes to choose from.

Jeff Ostrowski · September 26, 2015

Fr. David Friel & Pope Francis

A friend kindly sent me these photos…

Andrew Leung · September 24, 2015

My New Assignment—Part 1

Please pray for me as I continue to discern my vocation to the priesthood.

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed