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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 18, 2017

Musical Resources • Sexagesima Sunday 1

“O God, who seest that we put no trust in ourselves…”

Dr. Alfred Calabrese · February 16, 2017

The Pedagogy of the School Mass Liturgy

The weekly school Mass may be the only Mass some students ever attend.

Dr. Lucas Tappan · February 14, 2017

Singing for Cardinal Burke’s Pontifical Low Mass

I told Cardinal Burke that is was a blessing for us to sing for the Mass and assured him of our prayers.

Andrew Leung · February 14, 2017

Feature Video • London Oratory Schola

A very cool promotion video of the Schola Cantorum of the London Oratory School

Jeff Ostrowski · February 13, 2017

Refutations • “Can the Latin Mass be enriched?”

The OF can enrich the EF, but not the way Fr. Stravinskas describes.

Jeff Ostrowski · February 11, 2017

Who I Am

Vladimir Horowitz was especially known for this ability.

Jeff Ostrowski · February 9, 2017

“A Trip to the Sacred Music Symposium” • (Film)

Two young ladies in high school created this video as part of a school project.

Dr. Lucas Tappan · February 8, 2017

Beauty, Music and the Sacred Liturgy

Beauty will return to the Sacred Liturgy when we once again turn our hearts to the Lord.

Jeff Ostrowski · February 7, 2017

Musical Resources • Septuagesima Sunday 1

“Or, is it not lawful for me to do what I will? Is thine eye evil, because I am good?”

Fr. David Friel · February 6, 2017

The Japanese Martyrs

Extraordinary Strength of Faith

Jeff Ostrowski · February 6, 2017

Pope Benedict XVI on this Sunday’s Introit

“The virgin mother bound his limbs in swaddling clothes; such bands held the hands and feet of God!”

Fr. David Friel · February 5, 2017

God Has No Need of Our Music

A Thought from Saint Irenaeus of Lyons

Jeff Ostrowski · February 5, 2017

“The Return of the SSPX”

Reflections by a member of the Priestly Fraternity of Saint Peter.

Jeff Ostrowski · February 3, 2017

Did we meet our fundraising goal?

The answer will amaze!

Andrew Leung · February 2, 2017

Invest in your Music Program!

Financial support is necessary for building a successful parish music program.

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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