Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 1 of 3)
The polyphonic imitative style of the Renaissance is a reflection of the rational mind and the music of heaven.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
The polyphonic imitative style of the Renaissance is a reflection of the rational mind and the music of heaven.
I have a confession to make: I can’t stand hearing wrong notes.
Pope Francis decreed Romero was martyred “in odium fidei” (“in hatred of the faith”). He was beatified in El Salvador on May 23, 2015.
“Grant, we beseech Thee, O merciful God, that we may treat with unfeigned veneration…Thy holy rites which we constantly celebrate.”
Pardon my squeaky Soprano notes, but I wanted to demonstrate how it sounds! • A wonderful setting of the haunting “Easter Alleluia” based on a work by Monsignor Jules Van Nuffel.
The absolute best method for choosing starting pitches…
A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”
“When a strong man armed keepeth his court, those things which he possesseth are in peace…”
Some people are put off…Some are bored to tears. I am fascinated. Why?
I was renewed in spirit for a future filled with hope for liturgical music.
The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.”
“On Holy Saturday in 1545—while the pope and several cardinals were present—two of the oldest choir members flew at each other during the blessing of the new oils, shouting in a loud voice…”
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The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!
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We don’t want to do that. We believe our website should remain free to all.
Our president has written the following letter:
President’s Message (dated 30 May 2025)
Time's up