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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · August 18, 2017

PDF Download • “O Esca Viatorum”

I am deeply saddened that some people still don’t know where these items are located.

Jeff Ostrowski · August 18, 2017

Musical Resources • 11th Sunday after Pentecost 1

“After that He was seen by James, then by all the apostles.”

Jeff Ostrowski · August 14, 2017

Ordo Missæ from “People’s Mass Book” (1964)

Two words come to mind: inexplicable and bizarre.

Fr. David Friel · August 13, 2017

Tenth Anniversary Celebration • “Summorum Pontificum”

A Solemn Pontifical Mass will be offered in Philadelphia on September 14, 2017

Richard J. Clark · August 11, 2017

“That’s not Eucharistic” • Why We Sing the Communion Antiphons

What does the Incarnation have to do with the Communion Procession? A great deal.

Jeff Ostrowski · August 10, 2017

Musical Resources • 10th Sunday after Pentecost 1

“At that time, Jesus spoke this parable to some who trusted in themselves as just, and despised others…”

Andrew Leung · August 10, 2017

Learn From Children Choristers

We church musicians are called to be more childlike than other musicians.

Jeff Ostrowski · August 8, 2017

Fr. Patrick T. Brannan, SJ • My Tribute

The cardinal was informed by ICEL: “There is no doubt that Father Brannan knows his Latin and Greek; but does he know English?”

Jeff Ostrowski · August 7, 2017

PDF Download • “Hymns Ancient & Modern”

Including a magnificent hymn for two voices (“Rex Sempiterne”) appropriate throughout the entire liturgical year.

Fr. David Friel · August 4, 2017

The Scandal and Allure of the Priesthood

A Reflection on Priesthood by Archbishop Philip Tartaglia

Jeff Ostrowski · August 3, 2017

Telephone Conversation w/ Faculty

Re: 2017 Sacred Music Symposium

Jeff Ostrowski · August 2, 2017

Musical Resources • Feast of the Transfiguration

“…and Who didst wonderfully foreshow the perfect adoption of Thy children by a voice coming down in a shining cloud…”

Jeff Ostrowski · August 2, 2017

Chants for the Feast of the Transfiguration

Never have I encountered so many typos in one feast!

Jeff Ostrowski · August 2, 2017

“Chanted Angelus” • Where does it come from?

Did Dom Charpentier compose this chant? Really?

Andrew Leung · August 1, 2017

In Defense of the “Sistine Screamers”

There are a few things I would like to point out in defense of their old choral approach.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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