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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · October 6, 2018

Participation Booklet for Extraordinary Form Baptisms

A resource for facilitating deeper participation

Guest Author · October 5, 2018

Success! • Sacred Music Retreat in Ohio

Immersion in what defines our very purpose as members of the choir.

Jeff Ostrowski · October 2, 2018

PDF Download • SATB Christmas Carol by Peter Lejeune • “Jam Désinant Suspíria”

I recorded all the voices, to demonstrate how it sounds…

Jeff Ostrowski · September 28, 2018

19th Sunday after Pentecost (Extraordinary Form)

Then he saith to his servants, “The marriage indeed is ready, but they that were invited were not worthy.”

Jeff Ostrowski · September 26, 2018

Scott Hahn: “Thomas More & John Fisher”

Saint John Fisher (d. 1535) tutored King Henry VIII when he was a boy—but Henry VIII eventually murdered him and placed his head on a stake.

Jeff Ostrowski · September 25, 2018

2015 Review • “American Catholic Hymnbook”

“Hymns that are directed to the Trinity should not be used, no matter how familiar they may be.”

Fr. David Friel · September 23, 2018

Saint Thérèse Triduum

An Annual Tradition at the Philadelphia Carmel

Richard J. Clark · September 21, 2018

Radio Interview • Óscar Romero & New Beginnings

“I hope my poem also speaks to the role of the church in our society.” — E. Ethelbert Miller

Jeff Ostrowski · September 20, 2018

18th Sunday after Pentecost (Extraordinary Form)

“O God, Who, through the august communication of this sacrifice, dost make us partakers of the one supreme divinity…”

Jeff Ostrowski · September 19, 2018

Can You Say “Theft” ??

Robert Campbell is an excellent translator of the Breviary—but even the best steal.

Jeff Ostrowski · September 18, 2018

Ronald Knox • His Actual Voice!

A fascinating radio address by Msgr. Knox covering topics related to the Incarnation.

Guest Author · September 17, 2018

Guest Article • “Composing a Responsorial Psalm”

What makes for a good responsorial psalm setting? Is it mere singability, a catchy tune, or something more?

Richard J. Clark · September 14, 2018

Fearfully and Wonderfully Made • New Work for Trumpet and Organ

Trumpeter, Richard Kelley’s lyricism can be compared to that of an oboe or clarinet. His soul and humanity pours forth in his playing.

Dr. Lucas Tappan · September 13, 2018

The Problem with the Universal Prayer of the Church

Young people today aren’t yearning for the ancient expressions of the Church’s liturgical life merely due to a distorted view of a supposedly golden former age…

Andrew Leung · September 13, 2018

Healey Willan on Chant

Healey Willan has a special interest in plainchant!

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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