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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Gregory Hamilton · March 27, 2019

Beauty in the Service of the Lord

“Recently, playing a prelude before a Mass, I thought of the preeminence of beauty in our faith.” —Dr. Hamilton

Fr. David Friel · March 26, 2019

Flash Mob • Franz Biebl’s “Ave Maria”

A special celebration of the Annunciation 2019

Fr. David Friel · March 24, 2019

New Musical Settings for the Blessing of the Holy Oils

The USCCB has provided freely downloadable versions of the musical settings of these newly translated texts.

Veronica Brandt · March 23, 2019

Upgrading to a Missa Cantata for Singers

One of those fantastic diagrams of the structure of the Mass, expostulated in under 9 minutes.

Follow the Discussion on Facebook

Richard J. Clark · March 22, 2019

Funerals: The Most Challenging Pastoral Responsibility

The centrality of Christ in the Funeral Mass is a priceless gem, a lifeline urgently needed in grief.

Jeff Ostrowski · March 19, 2019

A Short Piece We’re Singing For Lent

A few weeks ago, I had the opportunity to sit down with one of the smartest Catholic priests alive.

Fr. David Friel · March 17, 2019

The Lorica of St. Patrick

A fifth-century hymn preserved in an eleventh-century manuscript

Veronica Brandt · March 16, 2019

A German Franciscan Soldier who Sang

Excerpts from the life of Fr Gereon Goldmann – bombs, concentration camps, espionage and Gregorian chant.

Jeff Ostrowski · March 14, 2019

“Sarum Rite” • Did it exist? What is it?

“To contrast Ancient Sarum with Modern Roman is absurd.” —Fr. Adrian Fortescue (1912)

Jeff Ostrowski · March 13, 2019

Offensive Music in Germany • Ash Wednesday (2019)

Have you ever seen a liturgical “instrument” like this?

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Veronica Brandt · March 9, 2019

Every Church Musician Deserves Music Lessons

In which Veronica describes some unexpected benefits of taking up music lessons.

Jeff Ostrowski · March 7, 2019

“The New Mass” • Discussed by Michael Davies, Malachi Martin, Msgr. Champlin, and William F. Buckley

Fascinating debate recorded 22 April 1980.

Jeff Ostrowski · March 4, 2019

“Lacuna” • An Actual One—Not A Fake One

Read these entries—and then tell me your head isn’t spinning!

Fr. David Friel · March 3, 2019

Leo XIII to St. Katharine Drexel: “What about you?”

Today marks the feast of Mother Katharine Drexel, whom the Holy Father challenged to become a missionary.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed—with no good reason—Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”

— ‘Fr. Bouyer, Consilium member appointed by Pope Paul VI’

Recent Posts

  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!
  • Bach’s Psychotically Awesome Walking Bassline

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