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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are Priests Permitted To Add More Scripture To The Ordinary Form? Yes!

Jeff Ostrowski · July 29, 2014

198 Mitre OMETIMES THE OPPOSITE of what we desire occurs. For example, I’ve had the experience of having Humana (a health insurance company) make fraudulent withdrawals from my bank account. When I contacted them, they promised to return the money, but instead took more. After several months of this type of behavior, I was forced to hire an attorney to get my money back.

The same is true of the reformed liturgy.

The fathers of the Second Vatican Council desired a greater use of Scripture, but somehow the reformers (who began their work after the Council ended) decided to do the opposite, removing gobs of biblical passages. A list of scriptural passages eliminated by the reformers would include:

a) An entire Psalm at the beginning (each Mass).
b) An entire Psalm during the Offertory Incensation (High Mass only).
c) An entire Psalm during the Washing of Hands (each Mass).
d) An entire Gospel Reading at the conclusion (each Mass).

It’s highly unlikely such items will be reintroduced to the Ordinary Form anytime soon. So what should we do? Grumble and complain?

RATHER THAN CURSE THE DARKNESS, priests in the Ordinary Form can immediately add tons of Scripture back into the Mass. All they have to do is use the Propers from the Roman Gradual, which are almost entirely scriptural. Moreover, the Propers are the “First Option” in the General Instruction of the Roman Missal, which means they must be given preference in “average” parish circumstances.

However, it is essential that those sitting in the pews follow along, whether Propers are sung in English or Latin. This has always been a concern to good and faithful priests, as you can see by the following examples:

      * *  PDF Download: Paris Missal for the Laity (1777)

      * *  PDF Download: Vienna Missal for the Laity (1783)

      * *  PDF Download: London Missal for the Laity (1806)


A new parish booklet is available which will absolutely change the liturgical landscape, in my opinion, owing to the sumptuous beauty of its printed fonts. It’s the only Ordinary Form pew book to include the complete Propers in English & Latin.

Do you agree its typesetting is insanely legible? Here are some samples:

      * *  Sample Pages — St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

These books are incredibly affordable and will allow the members of your congregation to enter into the ancient Propers of the Mass. Because it’s for the “English Mass” (Ordinary Form) it adheres to the reformed Gradual.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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