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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Catholic Youth Choir Releases CD, Prepares For Tour

Guest Author · January 15, 2014

865 Cardinal HEN MY OLDEST SON was nearing his eighth birthday back in 2011, I felt that it was important for him to start learning Gregorian Chant as part of a good Catholic children’s choir. Searching all of the parishes surrounding my home in the western suburbs of Boston, I could not find a single chant-centered program for children, except for the magnificent Choir of Men and Boys at St. Paul’s in Harvard Square, Cambridge, well over an hour away on a typical weekday morning.

So I asked the pastor of my local church, St. Brendan’s Parish in Bellingham, MA, if I could form a youth choir dedicated to the study of Gregorian chant, traditional hymnody, and sacred choral music. He agreed, encouraged me to creatively package the group in a manner that would not seem to be in competition with the parish children’s choir, and invited me to prepare music for the Traditional Latin Mass offered every second Sunday of the month at 12:30 p.m. I expected three or four kids to show up.

To my amazement, a number of Catholic families from a dozen surrounding communities expressed interest in the group, and today there are well over thirty young people enrolled in the Blackstone Valley Catholic Youth Choir. The children have performed at concerts, liturgies, and choir festivals, at several area churches and cathedrals, as well as Boston-area venues such as Fanueil Hall and the Hynes Convention Center. In March 2014, the choir plans to visit several churches in Connecticut and New York during a cultural tour/pilgrimage culminating with the Pueri Cantores Festival Mass to be held at St. Ignatius, New York City, with Cardinal Dolan presiding.

As a fundraiser for the tour/pilgrimage, the children have released a CD recording entitled, “Clothed With the Sun: Music for the Solemnities of the Immaculate Conception and Assumption.” The recording features Gregorian Chant, Marian motets, and relevant passages from the Simple English Propers and the Parish Book of Psalms. To learn more about the choir, order a copy of the CD, or to make a donation of any amount to help the children raise the $15,000 needed for the tour/pilgrimage, please visit the choir website:

      * *  Blackstone Valley Catholic Youth Choir

The CD also features recordings of two of the movements of the “Mass in Honor of the Blessed Virgin Mary, Star of the Sea,” a Mass setting which I composed in 2010, dedicated to Cardinal Sean O’Malley on the 40th anniversary of his ordination to the priesthood. The Kyrie is designed to follow the recitation of the Confiteor and flow effortlessly into the Gloria, which borrows melodic material from the Gregorian “Ave Maris Stella” chant. The Sanctus, based on the preface tone, is an hommage to the simple English chant settings of the Sanctus by Theodore Marier found in his landmark hymnal, “Hymns, Psalms, and Spiritual Songs.” The simple Agnus Dei hearkens back to the melodic material for “you take away the sins of the world,” found in the Gloria. To download free copies of the score, simply click on the “Vatican II Hymnal” tab above, and find the link for downloading free Mass settings.


We hope you enjoyed this guest article by Michael Olbash.


864 Mich MICHAEL OLBASH, founder and director of the Blackstone Valley Catholic Youth Choir, is a homeschooling father of four residing in Bellingham, Massachusetts. He holds degrees in sacred music from Harvard University and St. Joseph’s College, as well as the Colleague (CAGO) and Choirmaster (ChM) certificates from the American Guild of Organists (AGO). In 2012, he was the recipient of the S. Lewis Elmer Award, a prize given to the person achieving the highest score in the nation on any of the upper-level examinations administered by the AGO.

Active in the American Federation Pueri Cantores, Michael currently serves as the Minister of Music at the United Church of Christ in Medfield, MA, chapel organist at the Carmelite Chapel in Peabody, MA, and staff organist at St. John the Evangelist Parish in Hopkinton, MA, as well as president of the Southeastern New England Chapter of Choristers Guild.

Contact by e-mail at:

olbash@post.harvard.edu

Contact by U.S. Mail at:

Michael Olbash, director
Blackstone Valley Catholic Youth Choir
P.O. Box 275
Millis, MA 02054

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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