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Views from the Choir Loft

Catholic Youth Choir Releases CD, Prepares For Tour

Guest Author · January 15, 2014

865 Cardinal HEN MY OLDEST SON was nearing his eighth birthday back in 2011, I felt that it was important for him to start learning Gregorian Chant as part of a good Catholic children’s choir. Searching all of the parishes surrounding my home in the western suburbs of Boston, I could not find a single chant-centered program for children, except for the magnificent Choir of Men and Boys at St. Paul’s in Harvard Square, Cambridge, well over an hour away on a typical weekday morning.

So I asked the pastor of my local church, St. Brendan’s Parish in Bellingham, MA, if I could form a youth choir dedicated to the study of Gregorian chant, traditional hymnody, and sacred choral music. He agreed, encouraged me to creatively package the group in a manner that would not seem to be in competition with the parish children’s choir, and invited me to prepare music for the Traditional Latin Mass offered every second Sunday of the month at 12:30 p.m. I expected three or four kids to show up.

To my amazement, a number of Catholic families from a dozen surrounding communities expressed interest in the group, and today there are well over thirty young people enrolled in the Blackstone Valley Catholic Youth Choir. The children have performed at concerts, liturgies, and choir festivals, at several area churches and cathedrals, as well as Boston-area venues such as Fanueil Hall and the Hynes Convention Center. In March 2014, the choir plans to visit several churches in Connecticut and New York during a cultural tour/pilgrimage culminating with the Pueri Cantores Festival Mass to be held at St. Ignatius, New York City, with Cardinal Dolan presiding.

As a fundraiser for the tour/pilgrimage, the children have released a CD recording entitled, “Clothed With the Sun: Music for the Solemnities of the Immaculate Conception and Assumption.” The recording features Gregorian Chant, Marian motets, and relevant passages from the Simple English Propers and the Parish Book of Psalms. To learn more about the choir, order a copy of the CD, or to make a donation of any amount to help the children raise the $15,000 needed for the tour/pilgrimage, please visit the choir website:

      * *  Blackstone Valley Catholic Youth Choir

The CD also features recordings of two of the movements of the “Mass in Honor of the Blessed Virgin Mary, Star of the Sea,” a Mass setting which I composed in 2010, dedicated to Cardinal Sean O’Malley on the 40th anniversary of his ordination to the priesthood. The Kyrie is designed to follow the recitation of the Confiteor and flow effortlessly into the Gloria, which borrows melodic material from the Gregorian “Ave Maris Stella” chant. The Sanctus, based on the preface tone, is an hommage to the simple English chant settings of the Sanctus by Theodore Marier found in his landmark hymnal, “Hymns, Psalms, and Spiritual Songs.” The simple Agnus Dei hearkens back to the melodic material for “you take away the sins of the world,” found in the Gloria. To download free copies of the score, simply click on the “Vatican II Hymnal” tab above, and find the link for downloading free Mass settings.


We hope you enjoyed this guest article by Michael Olbash.


864 Mich MICHAEL OLBASH, founder and director of the Blackstone Valley Catholic Youth Choir, is a homeschooling father of four residing in Bellingham, Massachusetts. He holds degrees in sacred music from Harvard University and St. Joseph’s College, as well as the Colleague (CAGO) and Choirmaster (ChM) certificates from the American Guild of Organists (AGO). In 2012, he was the recipient of the S. Lewis Elmer Award, a prize given to the person achieving the highest score in the nation on any of the upper-level examinations administered by the AGO.

Active in the American Federation Pueri Cantores, Michael currently serves as the Minister of Music at the United Church of Christ in Medfield, MA, chapel organist at the Carmelite Chapel in Peabody, MA, and staff organist at St. John the Evangelist Parish in Hopkinton, MA, as well as president of the Southeastern New England Chapter of Choristers Guild.

Contact by e-mail at:

olbash@post.harvard.edu

Contact by U.S. Mail at:

Michael Olbash, director
Blackstone Valley Catholic Youth Choir
P.O. Box 275
Millis, MA 02054

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

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