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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · June 26, 2020

Best Practices with Current Restrictions • New Resource from Detroit

Best practices and a new antiphon project from the Archdiocese of Detroit

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Richard J. Clark · June 19, 2020

Silence and The Thoughts of His Heart

Our souls are hurting and in crisis. I have no words.

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Richard J. Clark · May 22, 2020

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Reopening our Churches – Encouragement – Resources

As churches are working towards reopening, it is also no small change for many to concede congregational singing and choirs of any size. So many musicians have already sacrificed so much, spiritually, artistically, and economically.

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Richard J. Clark · May 8, 2020

Pain, Trauma, Caution in the Choir World

Fallout from the recent NATS/ACDA webinar: A Conversation: What Do Science and Data Say About the Near Term Future of Singing.

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Richard J. Clark · April 24, 2020

If you are having a bad day, this is what it means

God ensures will blossom even harsh conditions.

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Richard J. Clark · April 9, 2020

God will not be outdone in generosity.

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

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Richard J. Clark · March 28, 2020

Repeating Repertoire? • Richard J. Clark

“Repetition” in the Age of Streaming Masses…

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Richard J. Clark · March 19, 2020

The Fruit of Silence is Prayer

The list of concerns is endless. Today, we may be given the gift of an overabundance of silence, but perhaps its fruit will reverberate for years.

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Richard J. Clark · January 31, 2020

Two Reasons for Fewer Vocations

The marketing and commercialization of sacred music has had vastly mixed results, some positive, but some deleterious.

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Richard J. Clark · January 24, 2020

Liturgy is the work of Christ and His Body, the Church.

When we consider the redemptive power of the Mass, our eyes, hearts, and minds are opened wide!

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Richard J. Clark · January 10, 2020

Chant, Mighty Pipe Organs • Two Sundays, Two Cathedrals

Gregorian Chant and mighty pipe organs will be front and center at two concerts: Boston’s Cathedral of the Holy Cross and Saint Patrick’s Cathedral, New York City.

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Richard J. Clark · December 20, 2019

Announcement of Easter & the Movable Feasts • 2020

Free download of The Announcement of Easter and the Moveable Feasts for 2020

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Richard J. Clark · November 22, 2019

New England Pueri Cantores Choral Festival and Mass • Cathedral of the Holy Cross

Find Registration and info here.

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Richard J. Clark · October 18, 2019

The Tradition Continues! • Seven Organists Perform

“…every bit of carpeting was removed and replaced with marble and stone…”

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Richard J. Clark · October 4, 2019

Pope Francis’ Address on Sacred Music: “Liturgy is the first ‘teacher’ of catechism.”

“Do not forget this: the liturgy is the first ‘teacher’ of catechism.” — Pope Francis

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Corpus Christi Watershed

President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
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  • Indisputable ‘King’ Among Protestant Hymnals?
  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)

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