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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fruit of Silence is Prayer

Richard J. Clark · March 19, 2020

EAREST musicians, colleagues, and friends, I wish you all God’s peace and protection during this exceptionally difficult time. Societal lockdown and cancelation of Mass is unprecedented in any of our lifetimes. It’s a spiritual, emotional, and economic challenge. It is difficult to know where to place our energies while remaining physically safe and adhering to our grave responsibility to keep others safe.

I’m concerned about those who may suffer creeping depression from prolonged isolation or underutilization. I am concerned about underemployed and unemployed liturgical musicians,  pastoral staffs, and teachers who are not lucratively paid during the best of times. I am concerned for the safety of our priests.

I am worried about volunteers who depend on their choirs and communities to sustain their spirit. I am concerned for more vulnerable volunteers.

The litany of worry is endless. We are forced to trust in God, perhaps to a degree that makes us uncomfortable. (I am speaking for myself.) We are brutally — and mercifully — confronted with the necessity of prayer.

Likewise, there are opportunities such as learning new repertoire, composing, or preparing for the future — or better yet — opportunities and blessings to be more present to our families, friends, and neighbors.

“Music arises out of silence and returns to silence.”

Perhaps the greatest opportunity is for prayer. Under normal circumstances, most of us would be exceedingly busy preparing for Holy Week. Now Holy Week celebrations are shrouded with a big question mark. The likelihood is that we are facing prolonged silence.

Yet the fruit of silence is prayer. Cardinal Seán O’Malley is fond of quoting Saint Theresa of Calcutta:

“The fruit of silence is prayer, the fruit of prayer is faith, the fruit of faith is love, the fruit of love is service, and the fruit of service is peace.”

On the surface, silence is antithetical to musicians. But prayer is not. Church musicians are familiar with sacred silence; its importance cannot be underestimated. Today, we may be given the gift of an overabundance of silence, but perhaps its fruit will reverberate for years. “Music arises out of silence and returns to silence.” (Sing to the Lord: Music in Divine Worship, No. 118)

My mother is quite fond of saying, “Man proposes. God disposes.” (Homo proponit, sed Deus disponit) Thomas à Kempis writes in The Imitation of Christ:

“Just men depend on the grace of God rather than on their own wisdom in keeping their resolutions. In Him they confide every undertaking, for man, indeed, proposes but God disposes, and God’s way is not man’s.” (Book I, Chapter 19)

Disruption

Plans and lives uprooted, we may be called to examine aspects of our lives otherwise neglected. With silence and prayer comes faith and love. Faith and love may drive inspiration, call to service, and renewed action. Certain opportunities may be limited today. God will assuredly bless you tomorrow with renewed plans that arise unexpectedly and joyfully.

Gratitude

Meanwhile, our Lenten fast has radically shifted course just before Laetare Sunday. We likely don’t feel the inspiration to rejoice, but we might with a spirit of gratitude. Rejoice in gratitude for each other’s prayers. Rejoice in gratitude for God’s eternal love. Rejoice in the Lord always who will see us through hardship while drawing us to Him closer than we have ever been before.

Furthermore, we have Pope Saint Pius X to thank for the paradigm shift of encouraging frequent reception of communion — something we take for grated now, but was rare throughout the Church’s history. In fasting from the Eucharist now, we may have greater appreciation for the grace of the sacraments, prayer, and a renewed understanding of the power of Spiritual Communion. Our joy when receiving the Eucharist again may be boundless!

I don’t pretend to have any answers or possess wisdom greater than any of you. I am attempting to learn with each passing hour. I am greatly comforted by your prayers. Know you are in mine every minute of every day.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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