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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 5, 2013

Say the Black. Do the Red—with Love.

The road to the ideal must travel through the hearts and minds of real flesh and blood. If in our ministry we are not teaching love, then we have failed.

Richard J. Clark · March 31, 2013

The Power of Gregorian Chant

A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

Richard J. Clark · March 29, 2013

Suffering, Death, and Children’s Questions

“Why the Cross?” Little children are rarely afraid to ask the questions that adults are afraid to ask.

Richard J. Clark · March 22, 2013

A Personal Encounter with Pope Francis

While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute.

Richard J. Clark · March 20, 2013

Free Communion Propers for the Easter Season, Year C

Free download of Communion Propers for the Easter Season, Year C

Richard J. Clark · March 17, 2013

Mourning Pope Benedict XVI and Trusting the Holy Spirit

The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

Richard J. Clark · March 15, 2013

Reflections from St. Peter’s Square

Fr. Jonathan Gaspar, Priest Secretary to His Eminence Seán Cardinal O’Malley, shares his heartfelt reflections from St. Peter’s Square on the historic day of March 13, 2013.

Richard J. Clark · March 1, 2013

From Ashes to the Living Font

Sometimes we do our best work while in exile. Today, the Chair of Peter lies empty. This Lent, we will certainly end up in a different place than where we started. Hopefully, we will be transformed individually and as a Church.

Richard J. Clark · February 22, 2013

Exodus and the Chair of Saint Peter

In his book “The Spirit of the Liturgy,” Pope Benedict reminds us that Israel’s flight from Egypt had two distinct goals. One was to reach the Promised Land. But the second is perhaps far more important: Exodus 7:16 “Let my people go, that they may serve me.”

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Richard J. Clark · February 8, 2013

Mardi Gras and Burying the Alleluia

The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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