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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · April 5, 2013

Say the Black. Do the Red—with Love.

The road to the ideal must travel through the hearts and minds of real flesh and blood. If in our ministry we are not teaching love, then we have failed.

Richard J. Clark · March 31, 2013

The Power of Gregorian Chant

A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

Richard J. Clark · March 29, 2013

Suffering, Death, and Children’s Questions

“Why the Cross?” Little children are rarely afraid to ask the questions that adults are afraid to ask.

Richard J. Clark · March 22, 2013

A Personal Encounter with Pope Francis

While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute.

Richard J. Clark · March 20, 2013

Free Communion Propers for the Easter Season, Year C

Free download of Communion Propers for the Easter Season, Year C

Richard J. Clark · March 17, 2013

Mourning Pope Benedict XVI and Trusting the Holy Spirit

The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

Richard J. Clark · March 15, 2013

Reflections from St. Peter’s Square

Fr. Jonathan Gaspar, Priest Secretary to His Eminence Seán Cardinal O’Malley, shares his heartfelt reflections from St. Peter’s Square on the historic day of March 13, 2013.

Richard J. Clark · March 1, 2013

From Ashes to the Living Font

Sometimes we do our best work while in exile. Today, the Chair of Peter lies empty. This Lent, we will certainly end up in a different place than where we started. Hopefully, we will be transformed individually and as a Church.

Richard J. Clark · February 22, 2013

Exodus and the Chair of Saint Peter

In his book “The Spirit of the Liturgy,” Pope Benedict reminds us that Israel’s flight from Egypt had two distinct goals. One was to reach the Promised Land. But the second is perhaps far more important: Exodus 7:16 “Let my people go, that they may serve me.”

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Richard J. Clark · February 8, 2013

Mardi Gras and Burying the Alleluia

The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

Richard J. Clark · January 25, 2013

Full and Active Preparation – ora et labora

For the sacred musician, full and active participation not only includes mindfulness during mass . . .

Richard J. Clark · January 23, 2013

A Simple SSA Offering

A beautiful model of the evangelization we must do in our churches and faith communities

Richard J. Clark · January 17, 2013

St. Cecilia, Pray for Us

Why do we so intensely hand over our lives to the Church without fully realizing it until it is much too late?

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

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President’s Corner

    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski
    Prex • Particularly Powerful
    The Third Edition of the SAINT EDMUND CAMPION MISSAL contains a Latin-English translation for the ‘old’ Holy Week published by Monsignor Ronald Knox in 1950. His version is utterly splendid, and it’s astonishing it was totally forgotten for 70+ years. I find his translation of a prayer from Palm Sunday (Deus qui dispérsa cóngregas) particularly powerful: “O God, who dost mend what is shattered, and what thou hast mended, ever dost preserve, thou didst bless the chance comers who met Jesus with branches in their hands. Bless these branches too, of palm or olive, which we take up obediently in honour of thy name; rest they where they will, let them carry thy blessing to all who dwell there. All harm thence banish, and let thy power defend us, in proof that thy Son, Jesus Christ, has redeemed us…”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

Recent Posts

  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas
  • “Fulfilled!” • Bride’s Musical Request
  • Incredible Message of Hope from Michael Olbash

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