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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · December 27, 2013

Why We Do What We Do

“The priest would listen to this heavenly music over and over, crying while listening to it. He was brought great comfort through the ministry of this music. He passed away earlier this fall.”

Richard J. Clark · December 24, 2013

Light Upon the World

Have a blessed Christmas, and know the Light of Christ shines upon you and dwells within you!

Richard J. Clark · December 22, 2013

Live Streaming: Lessons and Carols ~ Our Lady of Atonement

Mæstro Edmund Murray directs a special Festival at Our Lady of Atonement in San Antonio, TX.

Richard J. Clark · December 20, 2013

Emotional Baggage and Changing Demographics

As a child growing up in the 1970s, I was well aware of the utter incompetence I was hearing on Sundays. As you can tell, I am still pretty upset about it.

Richard J. Clark · December 13, 2013

Are You a Servant Leader?

Leadership and authority are two very different things. Some with authority do not command respect. A Servant Leader will usually earn the respect and trust of others. Do so, and you can change the world.

Richard J. Clark · December 6, 2013

Chris Mueller’s Unique Voice in the Propers

Chris Mueller has a very unique collection of Offertory Propers in English. He refers to them as “miniatures”, but each is unique revealing a depth of character that gives them lasting power.

Richard J. Clark · November 29, 2013

A Challenge for the “Big Three” — Is there a Market for the Propers?

I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.

Richard J. Clark · November 22, 2013

Saint Cecilia and Why the Word is Preeminent

I confront a challenge most musicians of sacred music face: the battle between the Word and musical “feel.” From the Word, emanates a life: all that is love, all that is beauty, all that is sacrifice and service to God.

Richard J. Clark · November 15, 2013

The Politics of Sacred Music

Architecture? Incense? Piano? Guitar? Organ? Chant? Old translation? New translation? Latin? Inclusive or non-inclusive language? All the above sometimes have emotions assigned to them distracting from prayer. Putting God first is counter-cultural, but it should be apolitical.

Richard J. Clark · November 1, 2013

Sainthood May Sound Crazy

We are called to be saints. Does this sound crazy? I am more and more convinced it is not. Perhaps there is a roadmap to sainthood that we’ve known all along.

Richard J. Clark · October 25, 2013

Who Likes to be “Pruned”?

I don’t know about you, but I don’t like being pruned. Ultimately, this pruning leads to a refinement of the soul.

Richard J. Clark · October 18, 2013

Composing Heals a Heavy Heart

Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

Richard J. Clark · September 27, 2013

Pope Francis Leads Outside of Our Comfort Zone

Pope Francis is not afraid to open dialogue about difficult subjects. That alone marks enormous change. Perhaps, this kind of dialogue makes some of us uncomfortable. But this opens the possibility of growth.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 23rd in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 7 September 2025, which is the 23rd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. My singers really enjoy singing the resplendent COMMUNION ANTIPHON with its Fauxbourdon verses.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

Recent Posts

  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)
  • PDF Download • Draft Copy (Pamphlet)
  • “Entrance Chant” • 23rd (Ordinary Time)

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