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Views from the Choir Loft

Composing Heals a Heavy Heart

Richard J. Clark · October 18, 2013

USIC HEALS THE BROKEN HEART. Composing in fact, does wonders in this area. One note—one subtle change of dissonance and resolution, of tension and release—can alter the complexion of spirit. One unnoticed change of harmony can cry out to God our inmost pleading of unspeakable human emotion. One note can express the prayer we cannot or dare not put to words.

The creative act, especially in a defined prayerful structure, can sometimes uncover a wounded heart, one that is buried under its own weight. Therefore, composition is an act of prayer and release for a heart in bondage. This prayer need not be a great masterwork. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

Meanwhile, consider composing an antiphon, and then a simple psalm tone. (Perhaps do this every week? You may become transformed!) Keep in mind, the “limitations” of liturgical structure are in fact not limitations at all, but a roadmap that leads to more focused prayer. This in turn can lead to delightful surprises both musical and spiritual.

For the antiphons and their psalms draw the composer into their wondrous revelations. The psalms expose humanity in all of its frailty and depth. The psalmist unapologetically proclaims the joyful praise of God, the distress of suffering, and the acceptance of total dependance on God. All of these things are found in the psalms ready to be rediscovered again and again in music and prayer.

Finally, here is a simple offering for Communion for this Sunday. It is simple, and I hope it can humbly serve in prayer:

Free Download:
PDF • Domine, Dominus noster | Communion Antiphon | 29th Sunday in Ordinary Time

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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