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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · June 19, 2015

Bigger Fish to Fry

Weddings, with all of their challenges offer an important chance to evangelize. God calls us to be fishers of women and men. That’s the most important catch of all.

Richard J. Clark · June 12, 2015

BENEDICTA: Marian Chant from Norcia ~ Number 1 on the Billboard Charts

Perhaps the recent commercial success of sacred music is indicative of humanity’s natural hunger for transcendent union with the Divine.

Richard J. Clark · June 5, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Dancing on the Edge with Truth and Beauty

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri

Richard J. Clark · May 29, 2015

Are We Humble Enough To Open The Door And Walk In?

Anyone who knew him expected no less. But it was extraordinary to witness.

Richard J. Clark · May 22, 2015

Veni Sancte Spiritus | Two Free Resources

Two free resources for the Pentecost Sequence, “Veni Sancte Spiritus”

Richard J. Clark · May 15, 2015

Do not mistake competence for conservatism.

The more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is nonsense.

Richard J. Clark · May 8, 2015

Why Should We Sing the Psalms at Mass?

if we do not sing the antiphons proper to the day—and the corresponding Psalm verses—we risk having a narrow view of the Psalms.

Richard J. Clark · May 1, 2015

Bill Belichick and the Liturgy

Bill Belichick, Gisele, Darelle Revis, and the Roman Rite.

Richard J. Clark · April 24, 2015

“Choral music is not one of life’s frills.”

Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper.

Richard J. Clark · April 17, 2015

“Proper Of The Mass” (Ignatius Press) • Part 2 of 7

That this resource—and a flood of new ones—are becoming available, points to a new awakening in the Church.

Richard J. Clark · April 10, 2015

Let This Holy Building Shake with Joy!

Sometimes everything comes together. How is this achieved? Here are a few ways.

Richard J. Clark · April 3, 2015

“O Sacred Head Surrounded” | Buxtehude

Dieterich Buxtehude was a direct influence on Johann Sebastian Bach—and for good reason.

Richard J. Clark · March 27, 2015

Five Things Directors and Choirs Must Remember This Week

You may forever change the lives of someone you do not know in ways you will never know.

Richard J. Clark · March 20, 2015

St. Joseph, Fatherhood, and Inclusive Language

This is a hot-button topic I should not touch with a 100-foot pole. But what is not at debate is the inclusive nature of the message of the Gospel.

Richard J. Clark · March 13, 2015

Simply Stunning | Sacred Music of Paul Jernberg

A simply stunning “Salve Regina” and the “Mass of Saint Philip Neri”

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

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  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

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