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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · October 10, 2017

The Problem of Acedia

We rarely speak of greatness in the Church anymore for fear of driving people away, yet look at all of the men who responded to the call of the priesthood because of the example of Pope St. John Paul II.

Dr. Lucas Tappan · October 3, 2017

A Silver Jubilee

Many things have changed over the last quarter of a century in the field of church music and thankfully most of them have been for the better.

Dr. Lucas Tappan · September 26, 2017

Liturgical Education

Perhaps I am just a Benedictine at heart but I feel the *Opus Dei* (Work of God) must truly be given pride of place in our personal lives…

Dr. Lucas Tappan · June 13, 2017

Forming the Next Generation of Church Musicians

Until we start forming our youth in the Church’s treasury of sacred music we will continue contracepting our musical future to death.

Dr. Lucas Tappan · June 6, 2017

Scientia Linguæ Latinæ Voluptatem Et Gaudium Affert!

Unfortunately my avocation of church musician doesn’t allow me to sidestep the Latin vs. vernacular issue any more than a house painter is able to avoid paint.

Dr. Lucas Tappan · May 23, 2017

An Unpleasant Task

I realize it is hard, but perhaps this is the balance we are called to live—truth in charity.

Dr. Lucas Tappan · May 16, 2017

Recruiting and Auditioning Choristers

The audition itself is very straight forward and usually takes about 10 minutes, although I know within the first minute if I plan to accept the child into the choir.

Dr. Lucas Tappan · May 12, 2017

Ten “Ave Maria” Settings from Different Lands

Live recordings—music in honor of Our Lady of Fatima.

Dr. Lucas Tappan · May 2, 2017

A Picture is Worth a Thousand Words

If the Holy Mass really is the unbloody sacrifice of the Body and Blood, Soul and Divinity of Christ, then the music we use will be radically affected.

Dr. Lucas Tappan · April 26, 2017

Take 2 Voice Lessons and Call Me in the Morning

I watched in fascination as one of the tenors strained to reach notes obviously out of his range. I had never heard the chest voice *forced* so high in the male register.

Dr. Lucas Tappan · April 18, 2017

Chorister Training • Regensburg Cathedral Choir School

Here we see the result of so much hard work, one of the great Cathedral Choirs of the world!

Dr. Lucas Tappan · April 4, 2017

Family Life and the Sacred Liturgy

I can’t imagine my family playing such an intimate role in the ceremonies of Holy Week, but it surely made an awesome impression on the von Trapps.

Dr. Lucas Tappan · March 28, 2017

The Fully Sung Mass

if St. Augustine was right and “singing belongs to the one who loves,” then it behooves us to once again learn to love and thereby take up the Church’s eternal hymn of praise.

Dr. Lucas Tappan · March 15, 2017

Do we need hymns, when we already have Psalms?

The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.”

Dr. Lucas Tappan · March 7, 2017

Let Everything That Hath Breath Praise the Lord!

Point us once again to God Who is Beauty Itself!

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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