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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · July 3, 2018

Impressions from Sacred Music Colloquium 2018

I thought today I would share with readers some of my impressions of the wonderful events that took place.

Dr. Lucas Tappan · June 5, 2018

The Beauty of Dance

There shall surely be dancing in Heaven.

Dr. Lucas Tappan · May 15, 2018

Too Much Emphasis On Liturgy? • A Response

Perhaps the supposed over emphasis on the Liturgy among younger Catholics today is just a response to its devaluation since the 1960s.

Dr. Lucas Tappan · April 30, 2018

Choosing Choral Repertoire

Is it okay for choirmasters to program the same piece several Sundays in a row?

Dr. Lucas Tappan · April 17, 2018

Teaching Gregorian Chant to Boys with Changed Voices

The boys encountered the same learning curves the adult men had previously, but their facility in solfege speed up the learning process.

Dr. Lucas Tappan · April 10, 2018

Tone Quality and Your Singers

Ultimately it doesn’t matter if your choir resonates well and sings beautiful vowels but can’t communicate via the music…

Dr. Lucas Tappan · February 20, 2018

Building Your Choir Vocally

If more choirmasters were honest with themselves, they would probably acknowledge that no more than 25 to 40 percent of their singers are actually leaders within their choirs.

Dr. Lucas Tappan · February 13, 2018

Review • Fr. White’s Tools for Rebuilding

I’m edified by Fr. White’s work, but hope his regard for “church growth” doesn’t negate the Sacramental and supernatural nature of the Church.

Dr. Lucas Tappan · February 6, 2018

Music in Catholic Schools

The Church possesses a tool of immense value.

Dr. Lucas Tappan · January 23, 2018

Forward, Ever Forward!

One day, God willing, when He calls you into the New and Eternal Jerusalem, you will discover the eternal consequences of the offering of your widow’s mite.

Dr. Lucas Tappan · January 16, 2018

What If…

Whether a Gothic cathedral in France, a rural Norman church in England or a Californian mission church, each one in its own way has the power to lift our eyes in contemplation of the New and Eternal Jerusalem.

Dr. Lucas Tappan · January 2, 2018

Sound Does Matter!

In a sense, I understood every word. As a matter of fact, I was beaten over the head by every one of them.

Dr. Lucas Tappan · December 27, 2017

Of the Father’s Love Begotten…

Some day I wouldn’t mind cooking up a good ol’ fashioned Christmas Ball, but ’til then have to content myself with adding a few pounds (or more than a few) in honor of our Lord’s birth.

Dr. Lucas Tappan · November 28, 2017

7 Rules • “Your Family and Adventide”

Children need to see that everything takes second place to your relationship with Christ.

Dr. Lucas Tappan · November 21, 2017

“Meet Me In St. Louis”

Jeff recently asked if directors take choir pictures and I can’t say I do—but thankfully others did.

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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