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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · October 13, 2015

Taka… What?

Kids love this!

Dr. Lucas Tappan · October 6, 2015

The Power of Good Music

Please, please don’t ever underestimate the power of good music to touch hearts in either the work of evangelization or catechesis.

Dr. Lucas Tappan · September 29, 2015

Solfege

I feel that solfege is the fastest and most secure route to establishing the scale and the way its notes function within that scale in the minds of singers.

Dr. Lucas Tappan · September 23, 2015

The Art of Breathing

If there are only two concepts you are able to instill in a child in the early stages regarding breathing, they would be 1) fill and empty the stomach with air just like a balloon (don’t use the chest) and 2) keep the shoulders down and relaxed.

Dr. Lucas Tappan · September 8, 2015

Teaching New Singers

I like to cover (or re-cover) all of the basics with the boys and girls.

Dr. Lucas Tappan · August 25, 2015

Another Job For Your Children

Simply dive in and do it. Remember how quickly your children grew up and left home? That is all the longer it takes.

Dr. Lucas Tappan · August 20, 2015

One Man I Would Give My Right Arm To Meet In Person

“This honest, magnanimous and public statement made my struggle totally worthwhile.” —Colin Mawby

Dr. Lucas Tappan · August 4, 2015

A Must Have For The Choir Director’s Shelf

This book is invaluable for the church musician.

Dr. Lucas Tappan · July 30, 2015

A Few More Thoughts on the Chorister Audition

At the end of the audition, most of the students experience a great sense of accomplishment and really consider it an honor to be accepted into the choir!

Dr. Lucas Tappan · July 20, 2015

Should Children Have To Audition?

There is a proper balance between an impossibly hard formal audition and the usual “any child can join” policy that exists in the typical parish children’s choir.

Dr. Lucas Tappan · July 6, 2015

A Must Have Resource for Catholic Schools

Pastors and music directors, this is for you!

Dr. Lucas Tappan · June 25, 2015

Surprised By Beauty

It had been over a decade since I had set foot in St. John Cantius—enough time to forget that one never can tell what beautiful surprise awaits unsuspecting visitors.

Dr. Lucas Tappan · June 17, 2015

A Musical Diet

I realize what I propose seems like moving forward at a snail’s pace, but considering how long the average parishioner has been in the liturgical and musical desert, anything more would cause the musical equivalent of refeeding syndrome.

Dr. Lucas Tappan · June 9, 2015

Musical Green Eggs and Ham

Considering the great gift Mother Teresa had been to the world, I had to wonder why her sisters chose something as dubious as “Shepherd Me, O God” to be sung at her funeral?

Dr. Lucas Tappan · May 27, 2015

Where Have All The Organists Gone?

What will you do to keep the art of organ playing alive?

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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