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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 16, 2019

“Dies Irae” • Why Does It Appear In So Many Movies?

Veronica Brandt wrote about this in 2014. This morning, VOX made her article into a YouTube.

Jeff Ostrowski · September 13, 2019

($54,000 per year) • FSSP San Diego Seeks Choirmaster

It seems Fr. Lyons offered the position to a candidate who later decided not to accept.

Jeff Ostrowski · September 11, 2019

Photographs • Père Daniel Kyriale (126 pages)

The beauty of the Gregorian Kyriale cannot be stopped—and Saint Antoine Daniel is the perfect patron for this!

Jeff Ostrowski · September 11, 2019

“How To Begin Choir Practice” • (A Suggestion)

How one *begins* a rehearsal is crucial.

Jeff Ostrowski · September 10, 2019

PDF Download • “Alleluia Choral Extension” (EF + OF)

This may look simple on paper, but it sounds *incredible* when sung by a full choir. Guerrero rocks!

Jeff Ostrowski · September 9, 2019

When People Lie About Hymns Unwittingly

As a young man, I came into contact with an organist who claimed there was no such thing as a “Recessional,” insisting that I was wrong and foolish to use that term.

Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

Jeff Ostrowski · September 4, 2019

Do You Know Credo VII ??

A wonderful medieval Credo, published with “Imprimatur” from 1924.

Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

Jeff Ostrowski · September 2, 2019

I. Was. Dead. Wrong.

Setting the record straight.

Jeff Ostrowski · September 2, 2019

PDF Download • Handy Solfège Chart (Printable)

I have no idea whether this will be of use to anyone, but here it is…

Jeff Ostrowski · August 19, 2019

Brébeuf #182 • “Creator Alme Siderum” (Advent)

Most people know this one as “Creator of the stars of night.”

Jeff Ostrowski · August 16, 2019

Symposium 2019 • “Video Outtakes”

Like any other human, I go through difficult times—this conference was a source of strength.

Jeff Ostrowski · August 7, 2019

Brébeuf #465 • “Christ Ist Erstanden” (In Latin!)

We posted rehearsal videos in English the other day—now they’re given in Latin!

Jeff Ostrowski · August 6, 2019

Brébeuf #661 • “Come, Thou Long-Expected Jesus”

It’s okay to start thinking about Advent, which will be here before we know it.

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

Recent Posts

  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!

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