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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 21, 2021

“Veni Sancte Spiritus” (Sequence) • 18 Accompaniments

The Pentecost Sequence harmonized by Father Green, Father Jones, Dom Gregory Murray, Max Springer, Achille P. Bragers, and more!

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Jeff Ostrowski · May 21, 2021

21 May 2021 • “Cheating?”

If you look in the 1952 Australian Hymnal by Father Percy Jones called The Saint Pius X Hymnal, you will see that they substitute “Confirma Hoc” from Confirmation with the Offertory antiphon on Pentecost Sunday. Thoughts? Was that cheating?

Jeff Ostrowski · May 18, 2021

18 May 2021 • A bad translation?

My friend L.F. has informed me that the editors of the 1965 Missale Romanum seem to have deliberately deleted the part about “raising the children in the Catholic Faith.” Do you agree? See for yourself. How would you translate that passage into English? Please email me at: jeff@ccwatershed.org

Jeff Ostrowski · May 17, 2021

“Slanty Wampus” Doesn’t Count

From one of my composition teachers…

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Jeff Ostrowski · May 15, 2021

“Homily: Sunday after the Ascension” (EF) • Father Valentine Young, OFM

I wanted to become a Franciscan priest, and became one. But I certainly landed in places and assignments I never dreamed of being in.

Jeff Ostrowski · May 14, 2021

“Easy Polyphonic Agnus Dei” • Part 2 of 3

What is the best way to get your choir singing when they first return? Here are some tips…

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Jeff Ostrowski · May 12, 2021

Being Too Hard On Priests?

…including a fancy capital “A” from a medieval manuscript.

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Jeff Ostrowski · May 11, 2021

Did Bishop Sheen Favor A Particular Hymnal?

Including a wonderful hymn for the Ascension.

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Jeff Ostrowski · May 10, 2021

Re: “Christ the King Hymnal” (Imprimatur, 1954)

Venerable Pope Pius XII explicitly allowed vernacular hymns during High Mass in 1958.

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Jeff Ostrowski · May 6, 2021

6 May 2021 • FEEDBACK

A reader from St. Louis, Missouri, wrote to us: “The work you and your team do is quite possibly the most valuable resource I have come across as a younger Sacred music director and organist. The Brébeuf Hymnal is my most used and referenced resource. Although my church has not adopted it yet (I will […]

Jeff Ostrowski · May 6, 2021

Question & Answer Box • “Which Tune Is This?”

Including a live recording of a hymn about a donkey. (Not kidding!)

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Jeff Ostrowski · May 4, 2021

(Live Recording) • “Jesus My Lord, My God, My All”

There is a “hidden rule” about Roman Catholic Hymnals.

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Jeff Ostrowski · May 3, 2021

“No hymn deserves more to be reintroduced in our catholic tradition.” —Dom Ermin Vitry

A live recording of the Church’s oldest Latin Eucharistic hymn.

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Jeff Ostrowski · May 2, 2021

Calling All Church Musicians!

Is this normal? (Answer: “yes”)

Jeff Ostrowski · April 29, 2021

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

“Feria Quinta” — which day is that? … Be honest.

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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