• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · June 2, 2021

PDF Download • Organ Accompaniments for “Lauda Sion Salvatorem” (Sequence)

“Man cannot understand this, cannot perceive it; but a lively faith affirms that the change—which is outside the natural course of things—takes place.” (Ladua Sion, v12)

Follow the Discussion on Facebook

Jeff Ostrowski · June 1, 2021

1 June 2021 • Unsure of Author

The editors of this 1667AD Missale Romanum weren’t sure who wrote the VEXILLA REGIS hymn, so they wrote this in the margin. (To be fair, the original text by Bishop Fortunatus was greatly altered under Pope Urban VIII.)

Jeff Ostrowski · May 31, 2021

News From Belgium • Re: Choral “Our Father”

Including an update on the Sacred Music Symposium.

Follow the Discussion on Facebook

Jeff Ostrowski · May 29, 2021

(Holy Trinity Sunday) • An Astonishing Hymn!

Hymns by Monsignor Knox often make reference to “the friendless”—have you ever been without a friend?

Follow the Discussion on Facebook

Jeff Ostrowski · May 29, 2021

PDF Download • “Credo VII Polyphonic Extension” for a Girls’ Choir

We’ve decided to try an experiment, with assistance from one of my favorite composers: Giovanni Maria Nanino (d. 1607).

Follow the Discussion on Facebook

Jeff Ostrowski · May 26, 2021

What A Roman Catholic Hymnal Looks Like!

How exactly does the “Choral Supplement” look in real life?

Follow the Discussion on Facebook

Jeff Ostrowski · May 25, 2021

“Veni Creator Spiritus” + Organ Accompaniment • with English Translation by Fr. Fortescue

Did you realize there are two versions of this famous hymn?

Follow the Discussion on Facebook

Jeff Ostrowski · May 24, 2021

24 May 2021 • FEEDBACK

M.B. wrote to us: “Dear Corpus Christi Watershed: please keep posting beautiful hymns! You have no idea just how helpful it is to me! God bless the work and efforts that you pour into making the liturgy more beautiful for God’s glory!”

Jeff Ostrowski · May 23, 2021

“Part 1 of 3” • Guerrero Kyrie for Our Lady

Now that choirs are beginning to come back…

Follow the Discussion on Facebook

Jeff Ostrowski · May 21, 2021

“Veni Sancte Spiritus” (Sequence) • 18 Accompaniments

The Pentecost Sequence harmonized by Father Green, Father Jones, Dom Gregory Murray, Max Springer, Achille P. Bragers, and more!

Follow the Discussion on Facebook

Jeff Ostrowski · May 21, 2021

21 May 2021 • “Cheating?”

If you look in the 1952 Australian Hymnal by Father Percy Jones called The Saint Pius X Hymnal, you will see that they substitute “Confirma Hoc” from Confirmation with the Offertory antiphon on Pentecost Sunday. Thoughts? Was that cheating?

Jeff Ostrowski · May 18, 2021

18 May 2021 • A bad translation?

My friend L.F. has informed me that the editors of the 1965 Missale Romanum seem to have deliberately deleted the part about “raising the children in the Catholic Faith.” Do you agree? See for yourself. How would you translate that passage into English? Please email me at: jeff@ccwatershed.org

Jeff Ostrowski · May 17, 2021

“Slanty Wampus” Doesn’t Count

From one of my composition teachers…

Follow the Discussion on Facebook

Jeff Ostrowski · May 15, 2021

“Homily: Sunday after the Ascension” (EF) • Father Valentine Young, OFM

I wanted to become a Franciscan priest, and became one. But I certainly landed in places and assignments I never dreamed of being in.

Jeff Ostrowski · May 14, 2021

“Easy Polyphonic Agnus Dei” • Part 2 of 3

What is the best way to get your choir singing when they first return? Here are some tips…

Follow the Discussion on Facebook

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 74
  • Page 75
  • Page 76
  • Page 77
  • Page 78
  • Interim pages omitted …
  • Page 184
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.