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Views from the Choir Loft

“Easy Polyphonic Agnus Dei” • Part 2 of 3

Jeff Ostrowski · May 14, 2021

HE OTHER DAY, I was speaking to my colleague, Keven Smith, a Curtis graduate who currently serves as choirmaster at the FSSP parish in Sacramento, California. I had decided not to record any more rehearsal videos because I’m “self conscious” when it comes to my singing voice. My feelings of inadequacy may have come from studying piano—since pianists are taught from a young age they are never good enough. 1 In any event, Keven basically told me that rehearsal videos don’t have to be perfect. He said they are valuable and I should continue making them—even though I am not pleased with my voice in the Soprano range.

I therefore offer you this rehearsal video and score. (It begins with Soprano and Alto, but at the 0:58 marker, it switches to Tenor and Bass.)

*  PDF Download • “AGNUS DEI FOR TWO VOICES”
—Based on a piece by Father Francisco Guerrero (d. 1599).

That piece is an excellent way to get your people singing when choirs return—because it’s only two voices, the range is not excessive, the Solfège is already added, and it just “clicks” in real life because Guerrero was a master of counterpoint.

Working with Volunteer Choirs:

The worst thing you can do during a choir rehearsal is talk a lot. The people are coming there to sing. And by singing together over and over, they will learn to blend. We have recently (2 weeks ago) been allowed to have choir rehearsals after a year of rehearsals being forbidden. In some ways, it is like starting over for me as a director. I need these choirs to sing together for a long time—and the issues with tuning, breathing, and relaxation will begin to be resolved. Below I am being venturesome. I’m releasing this live recording from our rehearsal in which we begin in unison then attempt to add parts:

Variety is the Spice of Life:

As choirmasters, we can learn from the great artists, who knew that variety was important to concert programs. These days, that notion seems lost. For instance, I once attended a concert by András Schiff in Kansas City, and the entire first half was Scarlatti Sonatas. Now, I love Scarlatti—but this was not an appropriate choice and most of the audience soon began to snore. Therefore, in our rehearsals, we do hard work—such as singing the above Agnus Dei in Solfège—but not for the entire rehearsal. We mix it up! We also sing “fun” songs, such as Brébeuf # 704 Hymn for the Ascension:

We also sing contemporary pieces. Here is an excerpt from last night’s rehearsal:

*  Mp3 Download • Richard Rice Kyrie
—“Mass of the Angels” by Richard Rice is #4781.

I also toss in other types of music, such as medieval plainson with an Ison added:

*  Mp3 Download • Gregorian Chant With Drone
—Listen carefully, and you hear one of the Bass singers hit a low D.

Update (8 June 2021):

You can hear a live recording of our first attempt at singing the Guerrero 2-voice “Agnus Dei.”


NOTES FROM THIS ARTICLE:

1   Piano students know their octaves will never be as fast as Josef Hofmann, their thirds will never be as clean as Josef Lhevinne, their repeated notes will never be as crisp as Horowitz, their legato will never be as sumptuous as Ignaz Tiegerman, and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: Francisco Guerrero Composer, Piecemeal Agnus Dei, Piecemeal Polyphony, Two Voice Polyphony Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

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