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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 16, 2013

Famous Conductor Fired Because He Refused To Sing Hymn

The following letter was printed in the “Sacred Music Journal” (Winter of 2002). I was shocked when I first read it. It concerns a conductor famous for his performances of the works of William Byrd.

Jeff Ostrowski · February 14, 2013

Astounding Talk Given By Pope

We will have more on this. This is remarkable.

Jeff Ostrowski · February 11, 2013

Pope Benedict XVI to Step Down Feb. 28

I believe that Pope Benedict XVI will go down in history as one of the greatest Popes.

Jeff Ostrowski · February 9, 2013

Reflections on the Liturgy by Andrew Nash

When we shake hands, we do not feel the need to explain, “By this gesture I am establishing contact with you.”

Jeff Ostrowski · February 6, 2013

Once Again, Verifiable Proof

I have often written about the phenomenon of “learn a new word, see it within 24 hours.”

Jeff Ostrowski · January 26, 2013

Tribute To Monsignor Francis P. Schmitt

“There is only one way—to be a man of prayer and a man of faith: to be a man in love with and imbued with Christ’s life.”

Jeff Ostrowski · January 20, 2013

Babies, Toddlers, And The Sacred Liturgy

I can only imagine what would happen if I brought home a friend home without preparation or planning.

Jeff Ostrowski · January 14, 2013

Reflections On Playing The Piano At Church

Reflections on whether the piano ought be used at the Catholic Mass.

Jeff Ostrowski · January 13, 2013

The Need For Beauty In the Church

Artistic works often look “natural and easy” but their creation might have been by “blood, sweat, and tears.”

Jeff Ostrowski · January 7, 2013

Baptism of our son

Our son was baptized by Most Rev. Bishop René H. Gracida.

Jeff Ostrowski · December 30, 2012

Introduction To “Views From The Choir Loft”

We are excited to announce a new Blog dedicated to Sacred Music & Liturgy!

Jeff Ostrowski · December 24, 2012

Biography • Jeffrey M. Ostrowski

Jeff holds his B.M. in Music Theory from the University of Kansas . . .

Jeff Ostrowski · December 6, 2012

He’s At It Again . . . And Again.

Perhaps the reader is wondering why I keep saying the same thing over and over again . . .

Jeff Ostrowski · November 19, 2012

Graduale Romanum Chants And The New Roman Missal

The best kept secret of the Second Vatican Council …

Jeff Ostrowski · November 11, 2012

Folding One’s Hands At Mass

“It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.” Why would Dr. Fortescue say this?

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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