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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · April 15, 2014

Free PDF Download: The Fulton J. Sheen Sunday Missal (1961)

Archbishop Sheen did not produce this Missal alone: it was a joint effort by many, especially the Jesuit priests Rev. Philip Caraman and Rev. James Walsh.

Jeff Ostrowski · April 15, 2014

Live Recording — Small Choir of Ninth Grade Singers (October, 2006)

What can one say about the “Art of the Fugue” by J. S. Bach? Marvelous. Simply marvelous.

Jeff Ostrowski · April 7, 2014

Preconciliar Missal Allowed Mass “Versus Populum”

These same exact rubrics have been found in Missals published in 1962, 1927, 1943, 1906, and 1886.

Jeff Ostrowski · April 6, 2014

Are Hymns Boring?

I love hymns … sung properly, that is!

Jeff Ostrowski · April 1, 2014

Courses In The Ward Method … This Summer!

This summer, the Catholic University of America is offering training in the Ward method.

Jeff Ostrowski · March 30, 2014

Audrey Hepburn, Fulton J. Sheen, & Church Singers Who Can’t Read Music

Do you direct choir members with flaws? Do you direct choir members who can’t read music? BE COMFORTED!

Jeff Ostrowski · March 27, 2014

“Turn Those Altars Around!” — Cardinal Lercaro, Consilium President (1965)

Could this be the missing link explaining why “versus populum” celebrations took over?

Jeff Ostrowski · March 26, 2014

“Confusion and Annoyance” — Pope Paul VI on the New Liturgy (1965)

“Previously it was enough to be there; now we must participate. Previously one could doze or perhaps even have a chat; but no longer; now one must listen and pray.” — Pope Paul VI, 17 March 1965

Jeff Ostrowski · March 25, 2014

“The Most Beautiful Thing This Side Of Heaven”

A wonderful 18-minute sermon by Fr. Christopher Smith.

Jeff Ostrowski · March 24, 2014

What did Pope John Paul II think of the Cappa Magna?

The cappa magna has a five-meter-long train. Pius XII shortened it to 3 meters, but it’s said that John XXIII restored the ordinary length.

Jeff Ostrowski · March 19, 2014

“Anticipated” Mass or “Vigil” Mass on Saturday Night?

“Father Calewaert opposed the proposal because it would gravely damage Sunday.”

Jeff Ostrowski · March 17, 2014

Gregorian Chant As A “Weapon” — Seriously?

A drafter of USCCB guidelines on church music has said: “Some individuals and organizations seemingly use chant as a weapon to advance their agenda and judge others.”

Jeff Ostrowski · March 11, 2014

1970s Theology Has Affected The Celebration Of Mass

“The first task of all specially designated ministers is to serve the assembly. Their conscious and deliberate target is to help the assembly bring itself to life…” — Fr. Eugene Walsh

Jeff Ostrowski · March 10, 2014

“Father Bugnini has only one interest: press ahead and finish.” — Cardinal Antonelli, 1967

“Paul VI … declared that he had been hurt by certain arbitrary liturgical experiments and pained by a certain tendency to de-sacralize the liturgy.” — Cardinal Antonelli (19 April 1967)

Jeff Ostrowski · March 9, 2014

Church music need not sound “Catholic” says drafter of USCCB guidelines

The author calls people who appreciate Gregorian chant “conservative” and those who don’t “liberal.” Are such labels really helpful?

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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