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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 28, 2015

Innocuous But Uninspired Music At Mass?

In my youth, I recall singing some of these same songs at Mass, but I refused to do the hand gestures.

Jeff Ostrowski · January 27, 2015

PDF Download: Eucharistic Verset By Palestrina

Your more advanced singers will love this piece by Palestrina!

Jeff Ostrowski · January 26, 2015

Father Richard McBrien & The Passing Of An Era

“My Roman collar is my television uniform.” —Fr. Richard McBrien

Jeff Ostrowski · January 24, 2015

PDF Download: Saint Rose Hymnal (1938)

“It contains about two hundred hymns—all from approved sources—and covers every phase of Catholic devotion.” —Foreword by the Bishop of La Crosse

Jeff Ostrowski · January 23, 2015

Musical Resources • Third Sunday after Epiphany

Hymns can be implemented into the Latin High Mass with great effect.

Jeff Ostrowski · January 22, 2015

True Meaning Of The Word “Liturgy”

Historically, “liturgy” referred to a service done for the people, not by them.

Jeff Ostrowski · January 21, 2015

PDF Download: “Laudate Hymnal” (1942) … An Exceptionally Rare Book!

“We feel that the selection of hymns leaves little to be desired…” —From the 1942 Foreword

Jeff Ostrowski · January 20, 2015

PDF Download: Hymn Book By Sisters Of Notre Dame (1907)

“Yet zephyrs vainly fan me, and flow’rs to groves invite…”

Jeff Ostrowski · January 19, 2015

Dick Morris & Gregorian Accompaniment

Some people accept a job as choir director and say, “I have five singers who don’t read music, so I guess that’s how it will always be.”

Jeff Ostrowski · January 18, 2015

From The 1400s • Communion Kneeling

A beautiful image from 15th-century Austria.

Jeff Ostrowski · January 15, 2015

Musical Resources • Second Sunday after Epiphany

It’s hard to imagine a more beautiful text than Sedulius’ Hymn: Hostis Herodes Impie.

Jeff Ostrowski · January 15, 2015

PDF Download: Standard Catholic Hymnal (1921)

This extremely rare Catholic hymn book is here made available for the first time ever as a PDF download.

Jeff Ostrowski · January 14, 2015

Hypocrisy About Francis From An Unlikely Source

Resist the temptation to believe that Francis is 80,000 times as important as Benedict since he receives 80,000 times as much media coverage.

Jeff Ostrowski · January 13, 2015

PDF Download: Notre Dame Hymn Tune Book (1905)

“They call me a Papist and they laugh at my creed…”

Jeff Ostrowski · January 12, 2015

PDF Download: Rare Hymnal By Boston’s Archbishop

Can you imagine singing all those vernacular hymns while Mass is happening?

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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