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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 24, 2015

Pope Pius XI and “Concelebration”

Can anyone shed light on this?

Jeff Ostrowski · July 23, 2015

Polyphony (SATB) By Verdelot • With Optional Hymn “Christe Supreme”

Amazing! Verdelot’s cadence here sounds quite modern!

Jeff Ostrowski · July 22, 2015

Musical Resources • 9th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · July 22, 2015

The “Little Rock Nine” & Sacred Music

How could closing down all the schools be a good plan?

Jeff Ostrowski · July 21, 2015

Fr. Robert E. Barron To Be Made A Bishop!

Three new auxiliary bishops for Los Angeles!

Jeff Ostrowski · July 21, 2015

Fr. Carlo Rossini Is Wrong About “EU”

You can sleep soundly at night, knowing how to correctly pronounce “hagióque pnéumate.”

Jeff Ostrowski · July 20, 2015

“Sacred Vs. Secular Music” • Fr. John C. Selner

“…like man, Mary, you are IN—really cool among women.”

Jeff Ostrowski · July 20, 2015

Is Renaissance Music Too Expressive For Holy Mass?

“To thee do we send up our sighs, mourning and weeping in this valley of tears.”

Jeff Ostrowski · July 18, 2015

Church Needs “Disposable Art” Created To Last “Not Centuries, But Weeks (Or Hours).”

Fr. Robert W. Hovda argues that “Little Green Apples” can be sung during Mass.

Jeff Ostrowski · July 16, 2015

Musical Resources • 8th Sunday after Pentecost (Extraordinary Form)

“The master in this Gospel is praising, not the wrongful act of the unfaithful steward, but the peculiar astuteness with which he makes friends who will be useful when things go amiss.” (Maredsous N. T.)

Jeff Ostrowski · July 16, 2015

Is Latin Impossible For Choirs?

When priests came into Bishop Trautman’s office asking permission, he would start speaking Latin to them.

Jeff Ostrowski · July 15, 2015

“Asperges Me” • Gregorian Chant

In the Extraordinary Form, the “Asperges Me” is only used on Sundays.

Jeff Ostrowski · July 14, 2015

1951 Solemn Pontifical Field Mass • With 100-Voice “Palestrina Cathedral Choir”

Following the Mass, Archbishop Joseph H. Schlarman was made an honorary Indian chief.

Jeff Ostrowski · July 13, 2015

SATB “Kyrie Eleison” • Henri Durieux

It’s extremely short and not difficult—yet fresh & gorgeous.

Jeff Ostrowski · July 13, 2015

The Day Fulton J. Sheen Made A Mistake

“Sheen told a friend of mine that anything he’d ever said of significance was taken from either Knox or Chesterton.” —Fr. George Rutler

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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