• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
    • Feasts Website
  • Donate
  • Cart
Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 23, 2016

Rehearsal Videos • A Resplendent “Agnus Dei” You’ve Never Heard

Can you hear the Canon between Soprano & Tenor?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 22, 2016

PDF Download • “Latin in the New Liturgy” (1976)

“The use of Latin in celebrating the new Mass Rite will be encouraged as it has been in the old; Latin expresses the nature of the Church as international and timeless.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 20, 2016

Funeral Mass • Justice Antonin Scalia

You can download the program or view the full Mass online.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 20, 2016

A Roman Catholic Cleric’s Noble Robes

The Archbishop of Kraków was (for a short time) Senator of the Second Polish Republic.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 18, 2016

PDF • Two Nice Versions of “Attende Domine”

A good piece for Lent.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 16, 2016

Something That Would Fix So Much … But Nobody Mentions It

Is this “tacit” approval really “imaginary” approval?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 15, 2016

“Credo for Two Voices” • Gustaaf Nees (d. 1965)

This simple setting of Gregorian Credo IV uses organ, men’s voices, and women’s voices.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 14, 2016

Musical Resources • 1st Sunday of Lent (EF)

“We solemnly offer the sacrifice at the beginning of Lent, O Lord…”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 14, 2016

Canon Van Nuffel’s Setting Of Smoke Rising

“Smoke rises from the Mountain of Doom. The hour grows late, and Gandalf the Grey rides to Isengard seeking my counsel.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 12, 2016

Motet • “Verbum Supernum” by Fr. Carlo Rossini

This SATB setting can be used during any liturgical season and has “O Salutaris Hostia” as one of its verses.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 11, 2016

“Audi Benigne Conditor” • Gregorian Hymn For Lent

The text is by St. Gregory the Great, who was Pope from 590-604.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 10, 2016

Decapitation of an Innocent Meadowlark

Do we remember that people in the pews often lack our musical background?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 9, 2016

Francisco Guerrero • “Hymn To The Sacred Trinity” (SATB with Plainsong)

Are you up for a special hymn challenge?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 8, 2016

What Are You Doing For Lent?

“The phone is our century’s plague. It destroys character, interaction, friendships, families, and our time. We are glued to these devices.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · February 5, 2016

2016 • Sacred Music Symposium (Last Year’s)

We’re approaching capacity—if you’re interested, we need to hear from you soon!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 146
  • Page 147
  • Page 148
  • Page 149
  • Page 150
  • Interim pages omitted …
  • Page 195
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • Two Ways to Defile a Hymn • (And How Not To)
  • “Reader Feedback” • 22 June 2026
  • These Photographs Are Utterly Astounding !
  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymn

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”