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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · May 18, 2017

Archbishop Sheen on Liturgy & Plainchant Choirs

“Sisters in pants distribute communion, while priests sit idle in the sanctuary. This ‘option’ results from a decay of the reverence for the Lord’s Presence.” —Fulton J. Sheen (1976)

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Jeff Ostrowski · May 17, 2017

Rehearsal Videos • Guerrero “Agnus Dei” (SSATB)

Do you understand why I only apologize once—and not twice—for the Soprano line?

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Jeff Ostrowski · May 17, 2017

Rehearsal Videos • “Ave Sacer Christi Sanguis”

Precious few modern masterpieces exist…but this motet by Kevin Allen is one.

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Jeff Ostrowski · May 16, 2017

EWTN Video • Priestly Fraternity of Saint Peter

Two members talk about their new CD, “Requiem.”

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Jeff Ostrowski · May 10, 2017

Musical Resources • 4th Sunday after Easter (1962)

“…He shall not speak of Himself; but what things soever He shall hear, He shall speak…”

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Jeff Ostrowski · May 9, 2017

Guerrero’s Gloria from “Missa Iste Sanctus”

Why Do We Produce Rehearsal Videos? And what made more than 600 people show up for Santa Barbara’s first Latin Mass in fifty years?

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Jeff Ostrowski · May 4, 2017

Fulton J. Sheen • World’s Most Progressive Bishop?

Sheen replied: “Mr. President, I’m not the least bit impressed with your source.”

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Jeff Ostrowski · April 30, 2017

Justice Antonin Scalia on Church Music

“I would go there Sunday morning and sing Palestrina, William Byrd, Mozart…this magnificent choral music.”

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Jeff Ostrowski · April 25, 2017

Brace Yourself • “Raw” Recordings from Solemn Mass

There’s something remarkable about instances where the people involved don’t realize a recording is being made.

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Jeff Ostrowski · April 23, 2017

PDF Download • “Compline for Sunday”

My ignorance vis–à–vis the 1962 Breviary will astound you…

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Jeff Ostrowski · April 21, 2017

Musical Resources • “Quasimodo Sunday”

“Receive ye the Holy Ghost; whose sins you shall forgive, they are forgiven them, and whose sins you shall retain, they are retained.”

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Jeff Ostrowski · April 21, 2017

Nine Questions About The Latin Mass You Were Too Embarrassed To Ask

When I first attended the Traditional Mass, I hated it.

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Jeff Ostrowski · April 17, 2017

PDF Download • Last Minute Holy Saturday File

“The use of Psalm 150 is a change from the experimental Easter Vigil (1951-1955) in which Psalm 116 was used for Lauds.” —Msgr. McManus

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Jeff Ostrowski · April 15, 2017

“Reproaches” for Good Friday (Recording)

The indispensable “Musician’s Guide to Good Friday,” including a 50-page PDF and rehearsal videos!

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Jeff Ostrowski · April 13, 2017

Do these Holy Thursday rubrics strike you as odd?

I haven’t studied the situation enough to know with certainty.

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Corpus Christi Watershed

President’s Corner

    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

Recent Posts

  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026
  • “Progress Report” (With Samples) • Forthcoming Roman Catholic Hymnal In Spanish
  • PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)

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