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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · January 6, 2017

PDF Download • Epiphany Booklet (FSSP.la)

To match the ancient acrostic, Erasmus changed the first line to “Herodis Hostes.”

Jeff Ostrowski · January 5, 2017

Best Mystery Movie Of All Time!

Every so often, we stumble across true excellence. Here’s a prime example.

Jeff Ostrowski · January 3, 2017

Musical Resources • Holy Family (EF)

Communion anthem: “Jesus went down with them, and came to Nazareth and was subject to them.”

Jeff Ostrowski · January 3, 2017

Major Problems with “Holy Family” Feast

This feast has been moved *four times* since it was created in 1893…but that’s not my problem.

Jeff Ostrowski · January 3, 2017

New Microphone

Please let me know your thoughts in the FB combox…

Jeff Ostrowski · January 2, 2017

“Table Altar” vs. “High Altar” (Novus Ordo)

It’s incorrect to say new Churches must be constructed with table altars.

Jeff Ostrowski · January 1, 2017

A Majestic Christmas Hymn That Isn’t Difficult

“Here lies He in the manger, alleluia, Who reigns without end, alleluia, alleluia.”

Jeff Ostrowski · December 31, 2016

Brave Schola Director Posts “Live” Recording…

A snippet caught by a generous alto at Candle-lit Mass in Hollywood.

Jeff Ostrowski · December 25, 2016

Proof Good People Still Exist

Several singers shown here helped record the Watershed polyphonic rehearsal videos.

Jeff Ostrowski · December 24, 2016

Christmas • When Jackie Gleason Broke Character (Updated)

I forgot something important…

Jeff Ostrowski · December 21, 2016

60 Minutes • “The Pope’s Choir” (Sistine Chapel)

This video sharply condemns the choir’s previous director…a dangerous game.

Jeff Ostrowski · December 20, 2016

Shortest “Kyrie” Palestrina Ever Wrote

Especially suited for the Ordinary Form—and did you spot the invertible counterpoint?

Jeff Ostrowski · December 14, 2016

Musical Resources • Christmas Midnight Mass (EF)

We won’t be singing “Rudolph the Red-Nosed Reindeer” for Offertory!

Jeff Ostrowski · December 14, 2016

Musical Resources • 4th Sunday of Advent (EF)

“Look with favor, we beseech Thee, O Lord upon these offerings here before Thee…”

Jeff Ostrowski · December 12, 2016

Bauer Family Sings “O Magnum Mysterium”

…Victoria lives, thanks to fine youngsters such as these!

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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