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Views from the Choir Loft

Guest Author

Guest Author · March 1, 2014

Homily: 8th Sunday in Ordinary Time (Year A)

A homily by Fr. Valentine Young, OFM.

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Guest Author · February 28, 2014

Why the Church Is Dying in Latin America

“We need to realize that beauty is essential to any true notion of progress and human development.”

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Guest Author · February 19, 2014

Monsignor Francis P. Schmitt—“Put Out To Pastor”

An in depth article about Monsignor Francis P. Schmitt by Andy Baumert.

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Guest Author · February 11, 2014

Review by Fr. Justin Nolan, FSSP

“Many parishioners have told me their children especially love following the Mass in this missal because the pictures are so delightful.”

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Guest Author · February 7, 2014

On Singing the Passion Gospel for Palm Sunday

This Lent, consider singing the most important Gospel reading of the year. “Free PDF Download Included!”

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Guest Author · January 15, 2014

Catholic Youth Choir Releases CD, Prepares For Tour

The Blackstone Valley Catholic Youth Choir, currently preparing for a mid-Atlantic tour, has released a new CD, “Clothed With the Sun.”

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Guest Author · November 4, 2013

The Ordinariness of White

Perhaps we are de-sensitized to the symbol, but the color representing the liturgical feast we celebrate today is in fact one of great importance.

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Guest Author · November 2, 2013

“In Medio Ecclesiae” Album Release

The Dominican House of Studies schola has just released its first album, In Medio Ecclesiae, under the aegis of the newly founded Dominicana Records. The album is available now for download at www.dominicanablog.com/records; CD purchase coming soon.

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Guest Author · October 2, 2013

Impressive New Hymnal for the Divine Office

A guest article by Br. Dominic Verner O.P.

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Guest Author · September 9, 2013

New Gregorian Chant Project Needs Your Support!

Chant is beautiful, stunning, transcendent. Yet do we really know how it sounded centuries ago? Can we, by carefully listening, appreciate the differences between the modes?

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Guest Author · August 12, 2013

The first ever Graduale Romanum in English?

Deacon Cunningham was responsible for an early effort to “English” the Roman Gradual, as Msgr. Schmitt would say.

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Guest Author · July 8, 2013

Thousands of Gospel Acclamations for Organ & Voice

A word and a request regarding the musical arrangements by Jon Naples on the Garnier Gospel Acclamations website.

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Guest Author · June 17, 2013

Music Delivered A Young Boy From Dispair

“My father had no job and a daily passion for beer. The situation was hopeless for both him and his seven children. When I was 11 years old, Catholic Charities intervened. They split us up, and sent five of us kids to foster homes, and my older brother Mike and I to Boys Town.”

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Guest Author · June 12, 2013

Responsorial Psalms & Gospel Acclamations

“It is true that the use of the ancient psalm tones for texts in English has been a matter of recent debate, some asserting that it is not possible to fit the cadences of the Gregorian tones . . .”

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Guest Author · June 10, 2013

The Story Behind The Code

A guest article by Benjamin Bloomfield about a new Gregorian chant tool.

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

Recent Posts

  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)

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