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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Guest Author

Guest Author · March 1, 2014

Homily: 8th Sunday in Ordinary Time (Year A)

A homily by Fr. Valentine Young, OFM.

Guest Author · February 28, 2014

Why the Church Is Dying in Latin America

“We need to realize that beauty is essential to any true notion of progress and human development.”

Guest Author · February 19, 2014

Monsignor Francis P. Schmitt—“Put Out To Pastor”

An in depth article about Monsignor Francis P. Schmitt by Andy Baumert.

Guest Author · February 11, 2014

Review by Fr. Justin Nolan, FSSP

“Many parishioners have told me their children especially love following the Mass in this missal because the pictures are so delightful.”

Guest Author · February 7, 2014

On Singing the Passion Gospel for Palm Sunday

This Lent, consider singing the most important Gospel reading of the year. “Free PDF Download Included!”

Guest Author · January 15, 2014

Catholic Youth Choir Releases CD, Prepares For Tour

The Blackstone Valley Catholic Youth Choir, currently preparing for a mid-Atlantic tour, has released a new CD, “Clothed With the Sun.”

Guest Author · November 4, 2013

The Ordinariness of White

Perhaps we are de-sensitized to the symbol, but the color representing the liturgical feast we celebrate today is in fact one of great importance.

Guest Author · November 2, 2013

“In Medio Ecclesiae” Album Release

The Dominican House of Studies schola has just released its first album, In Medio Ecclesiae, under the aegis of the newly founded Dominicana Records. The album is available now for download at www.dominicanablog.com/records; CD purchase coming soon.

Guest Author · October 2, 2013

Impressive New Hymnal for the Divine Office

A guest article by Br. Dominic Verner O.P.

Guest Author · September 9, 2013

New Gregorian Chant Project Needs Your Support!

Chant is beautiful, stunning, transcendent. Yet do we really know how it sounded centuries ago? Can we, by carefully listening, appreciate the differences between the modes?

Guest Author · August 12, 2013

The first ever Graduale Romanum in English?

Deacon Cunningham was responsible for an early effort to “English” the Roman Gradual, as Msgr. Schmitt would say.

Guest Author · July 8, 2013

Thousands of Gospel Acclamations for Organ & Voice

A word and a request regarding the musical arrangements by Jon Naples on the Garnier Gospel Acclamations website.

Guest Author · June 17, 2013

Music Delivered A Young Boy From Dispair

“My father had no job and a daily passion for beer. The situation was hopeless for both him and his seven children. When I was 11 years old, Catholic Charities intervened. They split us up, and sent five of us kids to foster homes, and my older brother Mike and I to Boys Town.”

Guest Author · June 12, 2013

Responsorial Psalms & Gospel Acclamations

“It is true that the use of the ancient psalm tones for texts in English has been a matter of recent debate, some asserting that it is not possible to fit the cadences of the Gregorian tones . . .”

Guest Author · June 10, 2013

The Story Behind The Code

A guest article by Benjamin Bloomfield about a new Gregorian chant tool.

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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