Palestrina and the Perfecting of the Medieval Ideal of Music as Rational • (Part 3 of 3)
We look to Mary to understand the “self reflection” of sacred polyphony.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
We look to Mary to understand the “self reflection” of sacred polyphony.
A new Mass by Michael Duryea and two short works by Thomas J. Mosser.
The polyphonic imitative style of the Renaissance is a refection of the rational mind and the music of heaven.
The polyphonic imitative style of the Renaissance is a reflection of the rational mind and the music of heaven.
How to make polyphony work for your Ordinary Form Choir.
How does a tiny Catholic community in a secularized country celebrate Mass with the Pope?
Guest article by the co-director of music for the English liturgies at WYD 2016.
These settings were written to be easily played by pianists and organists of an intermediate skill level.
Praising our Extraordinary God in the Ordinary Form
A guest article by Dr. Virginia A. Schubert.
A guest article by Mr. Michael Chan, who lives in Hong Kong.
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