Views from the Choir Loft

Father Friel • Article Archive

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

Fr. David Friel · April 19, 2020

The Offertory Antiphons of the Easter Octave

United by the theme of sacred “commercium”

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Fr. David Friel · April 5, 2020

Craving the Body of Christ

Insights from Joseph of Arimathea

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Fr. David Friel · April 2, 2020

Repeating Repertoire? • Father Friel

The merits of repetition and variation.

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Fr. David Friel · March 22, 2020

“Separated from the Sacraments” • Stories from Walter Ciszek, SJ

A missionary in Soviet Russia, Fr. Ciszek learned the spirituality of surrender through tremendous suffering.

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Fr. David Friel · March 20, 2020

CDW Guidelines for Holy Week 2020

The Congregation has released a short document with pertinent guidance.

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Fr. David Friel · March 18, 2020

A Word of Encouragement

For those who are separated from the liturgical life of the Church on account of COVID-19.

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Fr. David Friel · March 10, 2020

Liturgical Custody of the Eyes

Guarding the Sense of Sight so as to Promote Participation

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Fr. David Friel · February 23, 2020

Exploring the 5th/6th-Century Mosaics of Ravenna

These magnificent images are not only attractive to behold, but also deeply theological.

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Fr. David Friel · February 17, 2020

Imposing the Classical Style on Public Building Projects?

A rumored executive order would unify the architectural style of future projects and upgrades.

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Fr. David Friel · February 16, 2020

New Work from Paul Jernberg

The composer has begun a new and worthwhile blogging project.

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Fr. David Friel · January 26, 2020

The Book of Kells Online

The Book of Kells, as well as 150,000 artworks housed in Parisian museums, can be freely viewed online.

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Fr. David Friel · January 20, 2020

Roger Scruton, Magister Pulchritudinis

Sir Roger Scruton died January 12, 2020, leaving a mammoth legacy in the field of aesthetics.

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Fr. David Friel · January 15, 2020

Digitizing the Vatican Library

One decade into the project, the results are fascinating.

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Fr. David Friel · December 16, 2019

Liturgica • Interview with Chris Mueller on the Release of New CD

Mueller discusses his recently released recording of original compositions and Renaissance masterworks.

Fr. David Friel · December 1, 2019

Newman on Liturgy

What Does Newman Have to Say?

Fr. David Friel · November 11, 2019

New Stained Glass Windows of Military Saints

Recently installed at the pastoral center of the Archdiocese for the Military Services, USA

Fr. David Friel · November 9, 2019

The Gratuity of Beauty

Thoughts on the Feast of the Dedication of the Lateran Basilica

Fr. David Friel · November 2, 2019

Holy Souls in Purgatory • 15th-Century Missal Illumination

Detail from the Missal of Eberhard von Greiffenklau

Fr. David Friel · October 24, 2019

“Mass of the Americas” • Solemn Pontifical High Mass in DC

Archbishop Cordileone will offer Mass November 16, 2019 at the Basilica of the National Shrine of the Immaculate Conception.

Fr. David Friel · September 24, 2019

Art of the Beautiful Lecture Series 2019-2020

A project of The Catholic Artists Society in NYC

“Tonus Solemnior” • How old is it?

In the 1962 Missal, a section called “præfationes in tono solemniore” contains ornate melodies for the Preface. An article posted on the blog of the Church Music Association of America claims the tone comes from “the late 19th century” and said its elimination “is one of the very few good things which the post-Conciliar reform did for Gregorian chant.” The author said: “The Roman solemn preface tone is already beautiful enough, there was no need to give a more Romantic feel.”

Some have asked us whether the tonus solemnior comes from “the late 19th century.” It does not. Their author was wrong by at least 400 years. I have seen this tone in MSS from the 1400s—and it may go back even further. Here is an example from 1494AD. And here’s another from the 1400s. The FSSP priests use these tones on high feasts, and the effect is unforgettable.

—Jeff Ostrowski

6 January 2022 • Quick!

A short version of the INTROIT for the feast of the Epiphany has been added to the Saint René Goupil Gregorian Chant Website.

—Jeff Ostrowski

Confusing Feasts of Christmas

Whether one considers the Missale Vetustum or the post-conciliar calendar—or even the 1908 calendar—the feasts which follow Christmas are very confusing. Last year I created this comparison chart. I hope you find it helpful. As far as I can tell, my chart is the first effort to carefully detail the changes made to post-Christmas feasts (unless we also count the rather basic one by Lauren Pristas).

—Jeff Ostrowski

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI