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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music. Read more.

Dr. Peter Kwasniewski · December 18, 2014

A Fond Farewell

Changes in my personal life have made it necessary for me to curtail my blogging activity, and so this blog will be my last—at least for a time.

Dr. Peter Kwasniewski · December 11, 2014

The Importance of Singing Carols

Let us make a point of singing good carols as much as we can throughout the whole Christmas season, rather than imitating a world that stops celebrating on December 26th.

Dr. Peter Kwasniewski · December 4, 2014

Resurgent in the Midst of Crisis

A new book for those who are struggling to understand what has happened to the noble liturgy of the Roman Catholic Church and how we might find our way out of this crisis.

Dr. Peter Kwasniewski · November 27, 2014

Advent Meditation

As we turn the corner to Advent, we might draw some inspiration from Pope Emeritus Benedict XVI.

Dr. Peter Kwasniewski · November 20, 2014

Why Are the Readings Not Sung at Mass?

The ancient and beautiful practice of chanting readings at Mass has largely disappeared in the Ordinary Form. What happened?

Dr. Peter Kwasniewski · November 13, 2014

Difference between the Two Priesthoods

What exactly is the difference between the universal priesthood of the baptized and the ministerial priesthood of the ordained?

Dr. Peter Kwasniewski · November 6, 2014

How Liberalism Undermines Itself

Freedom for all sounds nice in theory, but how does it work in practice?

Dr. Peter Kwasniewski · October 30, 2014

Music Never Lies

Every piece of music, great or small, contains an indefinable message of the soul, penetrating, communicative, formative.

Dr. Peter Kwasniewski · October 23, 2014

The Use and Abuse of the “Via Media”

Everyone likes to think themselves at the golden mean between two extremes. The problem is, this often becomes a substitute for real thinking, and prevents us from striving for the best.

Dr. Peter Kwasniewski · October 16, 2014

In Defense of the Organ Postlude

Is the organ postlude after Mass a loud distraction that stands in the way of making one’s thanksgiving? Or is it a wholly fitting conclusion to an act of public divine worship?

Dr. Peter Kwasniewski · October 9, 2014

Death and Rebirth of Monastic Life

The death of the monastic life after the Second Vatican Council was the most devastating blow the Church received, and renewal will come from its rebirth.

Dr. Peter Kwasniewski · October 2, 2014

Lumen Gentium on Summorum Pontificum

‘Lumen Gentium’ was given to us fifty years ago, but its provisions still apply—and they are relevant to the availability of the Extraordinary Form.

Dr. Peter Kwasniewski · September 25, 2014

Confusions about Inculturation

A false notion of inculturation has allowed for a vast profanation and paganization of Catholic life and worship.

Dr. Peter Kwasniewski · September 18, 2014

Have We Lost Our Sensitivity to Music?

Educated people in the 19th century feared the influence of opera on moral character. We seem to have lost any sense of music’s power to corrupt us.

Dr. Peter Kwasniewski · September 11, 2014

Breaking News: The Communion Hymn is an Optional Add-On

Reading the General Instruction of the Roman Missal can bring many surprises. One of them has to do with the ubiquitous communion hymn.

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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