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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Alfred Calabrese • Article Archive

Dr. Alfred Calabrese is a conductor, educator, composer, scholar, and church musician. Having worked in academia for two decades, he felt called to enter full-time work in the Catholic Church, and since 2007 has directed the music at Saint Rita Catholic Church. He and his wife live in Dallas, TX. They have two grown children. —Read full biography (with photographs).

Dr. Alfred Calabrese · January 19, 2020

Is It Time To Stop Singing The Propers?

I know how difficult it can be to introduce chant to a Novus Ordo parish.

Follow the Discussion on Facebook

Dr. Alfred Calabrese · August 29, 2018

Saving the Church, One Choir at a Time

On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat.

Dr. Alfred Calabrese · July 4, 2018

Of Estate Sales, Prayers, and Mass Attendance

I started to realize how little time we spend thinking about these things…

Dr. Alfred Calabrese · January 30, 2018

Repetition at the School Mass: “Do it again!”

Grown up people are not strong enough to exult in monotony.

Dr. Alfred Calabrese · November 8, 2017

The Real Reason We Sing

Let’s not make this about ourselves.

Dr. Alfred Calabrese · September 18, 2017

Five Ways To Make Dogma “Live Loudly Within You”

Thank you, Senator Feinstein!

Dr. Alfred Calabrese · May 25, 2017

Josquin Desprez • A Marian Masterpiece

Josquin surely belongs in the pantheon of history’s most important composers.

Dr. Alfred Calabrese · May 3, 2017

Kids Are Colorblind But Adults Are Not

Adults with an agenda teach children their own biases.

Dr. Alfred Calabrese · April 27, 2017

Is This Any Way to Pray at Mass?

My daughter freaked out when I told her this.

Dr. Alfred Calabrese · February 23, 2017

7 Points • “The Joy of Lent”

Does Lent really put people in a bad mood?

Dr. Alfred Calabrese · February 16, 2017

The Pedagogy of the School Mass Liturgy

The weekly school Mass may be the only Mass some students ever attend.

Dr. Alfred Calabrese · December 1, 2016

Nostalgia Is Not Rigid

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia.

Dr. Alfred Calabrese · August 31, 2016

Has Our Catholic Culture Been Completely Dismantled?

Art is not a form of propaganda; it is a form of truth.

Dr. Alfred Calabrese · June 30, 2016

The Positive Impact Of Parish Events

These things must begin at the parish level.

Dr. Alfred Calabrese · March 10, 2016

Has The Church Rejected Her Inheritance?

The richness of liturgy and music should never be abandoned.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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