Views from the Choir Loft

Daniel Tucker • Article Archive

Daniel Tucker is the Director of Liturgical Music & Organist at the Cathedral of St. Matthew in South Bend, IN. He holds degrees in music and religion from Western Michigan University and Yale University.—(Read full biography).

Daniel Tucker · February 13, 2021

“Ad Orientem” Explained

This year, the priest at my parish will be offering the Holy Sacrifice of the Mass ad orientem on Fridays during Lent. I wrote the following “explainer” to help my parishioners understand what’s going on and why.

Daniel Tucker · December 20, 2020

What’s With All the Chant?

I had the honor of presenting this material to my parishioners at St. Thérèse Little Flower Catholic Church last week.

Daniel Tucker · October 1, 2020

Devotional Music for the Feast of St. Thérèse of Lisieux

St. Thérèse is loved by so many, yet devotional songs to her seem to be few and far between. I hope that this article will serve as a useful starting point for anyone searching for such music…

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Daniel Tucker · August 2, 2020

“Gonfalon Royal” • One Of My Favorite Hymn Tunes

To my fellow church musicians: may we all carry our banners bravely forward…

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Daniel Tucker · May 2, 2020

Biography • Daniel Tucker

Mr. Tucker went on to Yale University, from which he graduated in May 2020 with a Master’s degree in choral conducting and a certificate from the Yale Institute of Sacred Music.

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Particularly Beautiful

The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Which Mass?

In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski