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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew Motyka • Article Archive

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—Read full biography (with photographs).

Andrew R. Motyka · September 4, 2013

From Every Oops

The learning experience that accompanies every mistake.

Andrew R. Motyka · August 28, 2013

That Satisfying Click

Grace and IKEA directions.

Andrew R. Motyka · August 21, 2013

First, the Priests

The importance of the priest singing the orations at Mass.

Andrew R. Motyka · August 14, 2013

Antiphons for the Dog Days of Ordinary Time

Music for the Communion procession, even for the “summer slog.”

Andrew R. Motyka · August 7, 2013

Reading Honestly

In which I’m tempted to do the same thing I am frustrated by another doing.

Andrew R. Motyka · July 31, 2013

From the NPM Convention in Washington, DC

In the circles I typically frequent, NPM is seen as something of a lost cause. I’ll admit that as recently as a few years ago, I thought so, too.

Andrew R. Motyka · July 24, 2013

Taste Like Salt

In which we music directors get to not act like the hypocrites.

Andrew R. Motyka · July 17, 2013

Making Your Bed

Show and tell. Mostly show.

Andrew R. Motyka · July 10, 2013

What is epiclesis?

Fast food and the Third Person of the Holy Trinity.

Andrew R. Motyka · July 3, 2013

Coming Full Circle in the Circle City

Indianapolis and the 2014 CMAA Colloquium.

Andrew R. Motyka · June 19, 2013

Children and Organ Failure

It’s not really a bleak post, I promise.

Andrew R. Motyka · June 12, 2013

An FYI on EP in the OF – Part 3

This timeless text is the high point of this liturgy.

Andrew R. Motyka · June 5, 2013

An FYI on EP in the OF – Part 2

This week, we will take a look at the reading and Responsory.

Andrew R. Motyka · May 22, 2013

An FYI on EP in the OF – Part 1

Part 1 of the Evening Prayer walkthrough series.

Andrew R. Motyka · May 15, 2013

An FYI on EP in the OF – Introduction

Celebrating Vespers well in your local parish.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

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