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Corpus Christi Watershed

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Views from the Choir Loft

Andrew Leung • Article Archive

Andrew Leung graduated from the sacred music program of Franciscan University of Steubenville, majored in vocal performance. He has also studied organ, choral conducting and Gregorian chant with world-class musicians. Prior to returning to Hong Kong, he served as a parish music director in Atlanta, and later as the organist and choirmaster at the Cathedral of Macau, China. Andrew is currently the music director of Vox Antiqua, conductor of the Cecilian Singers and music director at Our Lady of China Church. He is also an artist and vocal coach at the Paul Phoenix Academy.—Read full biography (with photographs).

Andrew Leung · December 21, 2015

Sing Like the Angels

We can learn from the best choir, the Holy Angels!

Andrew Leung · December 17, 2015

The “O Antiphons” Begin Tonight

Starting tonight, the “O Antiphons” are prayed at Vespers. A recording of James MacMillan’s “Veni, Veni, Emmanuel” is also included in this post.

Andrew Leung · December 10, 2015

Videos • Popes open the Holy Door

Two old videos of the Opening of the Holy Door

Andrew Leung · December 10, 2015

Understanding the Sacred

Reflection on “Understanding the Sacred” based on two events happened in Vatican this week

Andrew Leung · December 3, 2015

Video • The Voice of St. John Paul the Great

Two videos of John Paul II’s singing

Andrew Leung · December 3, 2015

CMAA Winter Sacred Music Workshop

Registration is now open for the CMAA Winter Sacred Music Workshop in Houston

Andrew Leung · November 19, 2015

What can Men Do Against such Reckless Hate?

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.” —Leonard Bernstein

Andrew Leung · November 12, 2015

Sistine Chapel Choir has made Great Improvement

The Sistine Chapel Choir is sounding like a British Boys’ Choir in their new CD

Andrew Leung · November 5, 2015

Active Participation in the Traditional Latin Mass

2 Churches demonstrate active participation in the Tridentine Mass.

Andrew Leung · October 28, 2015

An American Requiem

A Funeral Guide for helping Catholic pastors, choirmasters and families in America honor our beloved dead.

Andrew Leung · October 22, 2015

4 Choral Combinations that would Help Develop You Music Program

4 combinations of voices that would help develop your parish music program.

Andrew Leung · October 15, 2015

My New Assignment—Part 2

An update on my new assignment.

Andrew Leung · October 1, 2015

Mass in the Ancient Form at a Basilica

The Traditional Latin Mass is being offered regularly at the Basilica of Sts. Peter and Paul in Chattanooga.

Andrew Leung · September 28, 2015

Papal Liturgies – Day 6 of the Papal Visit

Pope Francis celebrated the Closing Mass for the World Meeting of Families on the last day of his visit.

Andrew Leung · September 26, 2015

Papal Liturgies – Day 4 & 5 of the Papal Visit

2 Papal Masses in New York and Philadelphia.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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