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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Edmund Campion Missal • “Third Edition”

ULTON J. SHEEN said famously: “Evil has its hour; God has His day.” Since the 1960s, Catholics have witnessed catastrophic apostasy. Yet in the year 2022, things are taking place nobody could have imagined. Five days ago, Cardinal Zuppi, head of the Italian Bishops’ Conference, led “Extraordinary Form” Vespers in the heart of Rome. Four days ago, the 1962 Missal was used in Saint Peter’s Basilica (!) by Monsignor Marco Agostini, MASTER OF CEREMONIES for Pope Francis. Three days ago, the USCCB Vice President and Archbishop of Detroit—who served on the Bishop’s Liturgy Committee alongside bishops like Cupich and Trautman—confirmed using the traditional PONTIFICALE ROMANUM. These are but a few examples.

Today, the next milestone has arrived:

*  Third Edition • SAINT EDMUND CAMPION MISSAL
—Help your congregation follow the Traditional Latin Mass!
—Click here to purchase from Sophia Institute Press.

*  SAMPLE PAGES (A) • “Book Size Comparison”
*  SAMPLE PAGES (B) • “Cover Design”
*  SAMPLE PAGES (C) • “Color Pages” Ordo Missae
*  SAMPLE PAGES (D) • “Ancient Manuscripts”
*  SAMPLE PAGES (E) • “Holy Week” (1962 Version)
*  SAMPLE PAGES (F) • “Holy Week” (1950 Version)
*  SAMPLE PAGES (G) • “The Passion of our Savior”
*  SAMPLE PAGES (H) • “Gregorian Chant”
*  SAMPLE PAGES (I) • “Extremely High Print Quality”
*  SAMPLE PAGES (J) • “Additional Features”
*  SAMPLE PAGES (K) • “Explanations & Commentary”
*  SAMPLE PAGES (L) • “Artistic Woodcuts” Enhanced Digitally
*  SAMPLE PAGES (M) • “Special Alphabet for the 3rd Edition”

*  PDF Summary • FIVE FANTASTIC FEATURES
—This brief list attempts to summarize the most salient aspects of this 832-page book.

Feedback: Someone who saw the draft manuscript wrote: “As a musicologist, liturgical enthusiast, and teacher I really enjoy all of the extra notes throughout (indicating propers that appear on other feasts, melodic details, antiphon verses, the prefaces on communion and offertory antiphons, references to manuscripts, papal and patristic notes and commentaries, etc.), and all of those B&W plates are just wonderful. Thank you for this book!”

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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