• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Participation” (12 pages)
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • Feasts Website
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
  • Donate
  • Cart
Views from the Choir Loft

From Rome • “International Week of Sacred Music”

Dr. Myrna Keough · September 29, 2026

HIS WEEK, I’m in Rome for the first-ever International Week of Sacred Music (“Autumn Academy”) hosted by the PONTIFICAL INSTITUTE OF SACRED MUSIC. The Institute, founded by Saint Pius X in 1910, is the Church’s own school for sacred music. Its home is the old ABBEY OF SAN GIROLAMO in Urbe, just west of Vatican City. The “Autumn Academy” runs from 28 September to 4 October, gathers one hundred participants from around the world, and will conclude with a Mass at Saint Peter’s Basilica. The organizers describe the week as part music festival, part choral workshop, and part prayer retreat—and their description is apt. Rehearsal, study, and liturgy flow into one another throughout each day, which reflects a truth at the heart of the Church’s musical tradition: sacred music is not merely performed but prayed, and it forms those who sing it.

Here’s the direct URL link.

(1 of 2) Overview: “Autumn Academy” • The program has three tracks, each shaped for a particular vocation. Experienced singers form an international choir under professors of the PONTIFICAL INSTITUTE OF SACRED MUSIC, preparing repertoire on the level of Palestrina’s Sicut Cervus and Mozart’s Coronation Mass. Teachers and church musicians who work with young people learn a creative method for teaching Gregorian chant in a joyful, accessible way, with a professional development certificate available on completion. Seminarians, priests, and religious receive coaching in singing the Mass and the Divine Office, and no musical background is required.

(2 of 2) Overview: “Autumn Academy” • On the event’s website, the organizers quote Pope Leo XIV: “In Christ, we become singers of grace” (23 November 2025). This week in Rome gives that phrase real substance. One hopes the Academy becomes an annual tradition and that those who attend carry what they learn back to their parishes, schools, and choirs. More information is available at iwsmusic.org.

Final Thoughts • Its faculty is distinguished. Father ROBERT MEHLHART, O.P., leads the plenary choir, and WALTER MARZILLI directs the choir track. INGA BEHRENDT teaches Gregorian chant, LUCA BUZZAVI covers children’s choir direction, and KRISTI BRYSON teaches vocal technique. Father VINCENT FERRER BAGAN, O.P., and Father RENÉ HERNÁNDEZ VÉLEZ guide the liturgical vocal formation. The program was developed with the Dominican Liturgical Center. Instruction is in English, and the liturgies are celebrated in Latin in the Ordinary Form (Missale Recens) with English translations provided.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Recens Last Updated: September 29, 2026

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Myrna Keough

Dr. Myrna Keough and her husband, Shawn, have five children. She earned two doctorates, and serves on the faculty of Mount Angel Seminary in Oregon. —Read full biography (with photographs).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“It is true that I have a preference for those who are discarded,” said Francis, for he is a humble man and would be the first to admit it.

— Tim Stanley, writing for “The Telegraph” on 13 March 2023

Recent Posts

  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray
  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)
  • “Ad Orientem” • Six (6) Post-Conciliar Quotes

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (818) 279-5852
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”