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Views from the Choir Loft

From Rome • “International Week of Sacred Music”

Dr. Myrna Keough · September 29, 2026

HIS WEEK, I’m in Rome for the first-ever International Week of Sacred Music (“Autumn Academy”) hosted by the PONTIFICAL INSTITUTE OF SACRED MUSIC. The Institute, founded by Saint Pius X in 1910, is the Church’s own school for sacred music. Its home is the old ABBEY OF SAN GIROLAMO in Urbe, just west of Vatican City. The “Autumn Academy” runs from 28 September to 4 October, gathers one hundred participants from around the world, and will conclude with a Mass at Saint Peter’s Basilica. The organizers describe the week as part music festival, part choral workshop, and part prayer retreat—and their description is apt. Rehearsal, study, and liturgy flow into one another throughout each day, which reflects a truth at the heart of the Church’s musical tradition: sacred music is not merely performed but prayed, and it forms those who sing it.

Here’s the direct URL link.

(1 of 2) Overview: “Autumn Academy” • The program has three tracks, each shaped for a particular vocation. Experienced singers form an international choir under professors of the PONTIFICAL INSTITUTE OF SACRED MUSIC, preparing repertoire on the level of Palestrina’s Sicut Cervus and Mozart’s Coronation Mass. Teachers and church musicians who work with young people learn a creative method for teaching Gregorian chant in a joyful, accessible way, with a professional development certificate available on completion. Seminarians, priests, and religious receive coaching in singing the Mass and the Divine Office, and no musical background is required.

(2 of 2) Overview: “Autumn Academy” • On the event’s website, the organizers quote Pope Leo XIV: “In Christ, we become singers of grace” (23 November 2025). This week in Rome gives that phrase real substance. One hopes the Academy becomes an annual tradition and that those who attend carry what they learn back to their parishes, schools, and choirs. More information is available at iwsmusic.org.

Final Thoughts • Its faculty is distinguished. Father ROBERT MEHLHART, O.P., leads the plenary choir, and WALTER MARZILLI directs the choir track. INGA BEHRENDT teaches Gregorian chant, LUCA BUZZAVI covers children’s choir direction, and KRISTI BRYSON teaches vocal technique. Father VINCENT FERRER BAGAN, O.P., and Father RENÉ HERNÁNDEZ VÉLEZ guide the liturgical vocal formation. The program was developed with the Dominican Liturgical Center. Instruction is in English, and the liturgies are celebrated in Latin in the Ordinary Form (Missale Recens) with English translations provided.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missale Recens Last Updated: September 29, 2026

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About Dr. Myrna Keough

Dr. Myrna Keough and her husband, Shawn, have five children. She earned two doctorates, and serves on the faculty of Mount Angel Seminary in Oregon. —Read full biography (with photographs).

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President’s Corner

    Music List • (29th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC which I created for this coming Sunday, the 29th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. The INTROIT for this Sunday explains why this Sunday is called “Apple Sunday.” As we approach the end of the liturgical year, most of the INTROITS seem to be in Mode III or Mode IV, which are ‘haunting’ tones.
    —Jeff Ostrowski
    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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